tag:blogger.com,1999:blog-67349195684935763982024-03-13T17:15:13.336-07:00Jacques Barcat (1877-1955)Ce blog a pour but de faire connaître Jacques Barcat, artiste-peintre, mon grand-père paternel. Toutes les photos sont prises par mes enfants, sauf celles dont on indique les auteurs.
Au bas de chaque page, faire click sur "Entradas antiguas" pour remonter vers les pages antérieures du blog jusqu'à la première entrée de sa présentation. Faire click sur les photos pour les agrandir.irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.comBlogger181125tag:blogger.com,1999:blog-6734919568493576398.post-43281093398493337062023-12-12T03:33:00.000-08:002024-02-22T15:41:58.328-08:00Anne-Marie, la dernière fille du peintre, s'entraîne à l'aquarelle. Anne-Marie, la última hija del pintor, prueba la acuarela. Anne-Marie, the painter’s last daughter, trains in watercolour. <div><p style="text-align: center;"></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"> </div><div class="separator" style="clear: both; text-align: center;"> </div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhMMJukJ1FaYl499XogtjfqKtET4UlRTDOp34pr9LPV2x4DDgY6fMERc24FLFJq1u2WYe5lUy6iATYGmpg3vrQ3xICrzcIrXm7ZnSi5FyK5trBcSjoIDCxbI8662-0foRVLi6f5YzpbQnD-ObDEDS8hGecKdMett5gFt1w9sKr8NR0sg6qf2iXBWS4U1BM" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="3630" data-original-width="2516" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEhMMJukJ1FaYl499XogtjfqKtET4UlRTDOp34pr9LPV2x4DDgY6fMERc24FLFJq1u2WYe5lUy6iATYGmpg3vrQ3xICrzcIrXm7ZnSi5FyK5trBcSjoIDCxbI8662-0foRVLi6f5YzpbQnD-ObDEDS8hGecKdMett5gFt1w9sKr8NR0sg6qf2iXBWS4U1BM=w277-h400" width="277" /></a></div></div><p></p><p style="text-align: center;"></p><p style="text-align: center;"></p><p style="text-align: center;"></p><p style="text-align: center;"><span><span> </span>Barque par Anne-Marie Barcat</span></p><p style="text-align: center;"><span>Aquarelle <br /></span></p><p style="text-align: center;"><span> <span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span></span><span> </span></p><p style="text-align: center;"><span></span></p><div class="separator" style="clear: both; text-align: center;"><span><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhei3sIaeR3pYoB7AQ1F9Lqf2TzVvziRewFbzfa3DXXaxHdwVELVxQ7VSHmpaNMPk9S0AzklVuptZsyJmcAa6iG6gVwOhgCUN50xUqQ-TZVjpHVr5YS2FYPxEZYpcSAHgpLPKFXePLt0cePAZGW4I2_v3tWmt0JhMjhInNJm1clfN8Xk4-ea4JkAXr-nJs" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="2675" data-original-width="3648" height="294" src="https://blogger.googleusercontent.com/img/a/AVvXsEhei3sIaeR3pYoB7AQ1F9Lqf2TzVvziRewFbzfa3DXXaxHdwVELVxQ7VSHmpaNMPk9S0AzklVuptZsyJmcAa6iG6gVwOhgCUN50xUqQ-TZVjpHVr5YS2FYPxEZYpcSAHgpLPKFXePLt0cePAZGW4I2_v3tWmt0JhMjhInNJm1clfN8Xk4-ea4JkAXr-nJs=w400-h294" width="400" /></a></span></div><span><br /></span></div><div><div style="text-align: center;"><span> Fleurs par Anne-Marie Barcat</span></div><p></p><p></p><p style="text-align: center;"><span>Aquarelle </span><span> <br /></span></p><p style="text-align: center;"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoGlXKvLrQLuaiBMa5phpaiDp6pHqkfEVMJq6Jd2liAq6I0OOBgdpY3LWDJtlcK9Nnvt1sV3lEC3OVRuSviE4_AP70UQEd0uo2csvRiP5NyEyGjFMt5MVbffhTwvOoRN2zYpc50aD773q88w38uUvNBq_rLNeEeEb84IYZcFyF9J2x9-YVbrWeXjNqkHc/s3341/P1220112.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2487" data-original-width="3341" height="297" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoGlXKvLrQLuaiBMa5phpaiDp6pHqkfEVMJq6Jd2liAq6I0OOBgdpY3LWDJtlcK9Nnvt1sV3lEC3OVRuSviE4_AP70UQEd0uo2csvRiP5NyEyGjFMt5MVbffhTwvOoRN2zYpc50aD773q88w38uUvNBq_rLNeEeEb84IYZcFyF9J2x9-YVbrWeXjNqkHc/w400-h297/P1220112.jpg" width="400" /></a></div><p></p><p style="text-align: center;"><span>Champs par Anne-Marie Barcat </span></p><p style="text-align: center;"><span>Aquarelle</span></p><p style="text-align: center;"><span></span></p><p style="text-align: center;"><span><span> </span><span> </span><span> </span></span><span><span> </span><span> </span><span> </span><span> </span></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSsG3c6_lTSYl5_9P3PI30aSls9-J0RhYK2Hk9B-Xzcfk3NGoWNC3fr9S71j0eBis2P-JI6JzJjxOQxiy01EXzC5NFPsxDgjlsYzTGjZxeNxzW0_FfYGF6xN3Y29Mcgj2QqagjyDPJkmeJSIDt9KybExV_NhG2CdvO_niug_5M5JMmmKPkekW39Pp7cuI/s3479/P1220124.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2736" data-original-width="3479" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSsG3c6_lTSYl5_9P3PI30aSls9-J0RhYK2Hk9B-Xzcfk3NGoWNC3fr9S71j0eBis2P-JI6JzJjxOQxiy01EXzC5NFPsxDgjlsYzTGjZxeNxzW0_FfYGF6xN3Y29Mcgj2QqagjyDPJkmeJSIDt9KybExV_NhG2CdvO_niug_5M5JMmmKPkekW39Pp7cuI/w400-h315/P1220124.jpg" width="400" /></a></p></div><div><div><div><div style="margin-left: 40px; text-align: center;"><span><span>Couleurs du ciel sur l'eau par Anne-Marie Barcat </span></span></div><div style="margin-left: 40px; text-align: center;"><span><span> </span></span></div><div style="margin-left: 40px; text-align: center;"><span><span> </span><span> </span><span>Aquarelle </span><span> </span><span> <br /></span></span></div><div style="margin-left: 40px; text-align: center;"><span><span> </span></span></div><div style="margin-left: 40px; text-align: center;"><span><span> </span></span><span><span> </span><span> </span><span> </span><span> </span><span> </span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> <br /></span></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEaBsUE6wBt2Yk2yfUqwrud8PFOU8yacP0mMfc9Sb4hOlMRKXGpygfoUlH5CxohEe9blAp_PUgL4BGlJ6KoB644LRroC5eHA6ZI3yeF-xNXPdZlOsW22uUZE3wf2E6dHx0K2y6uanz2vOKGKiQm4TuQw88tiz71_3WUosqNXRuyzqjc7sY5zpcKd6T410/s3496/P1220114%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2545" data-original-width="3496" height="291" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEaBsUE6wBt2Yk2yfUqwrud8PFOU8yacP0mMfc9Sb4hOlMRKXGpygfoUlH5CxohEe9blAp_PUgL4BGlJ6KoB644LRroC5eHA6ZI3yeF-xNXPdZlOsW22uUZE3wf2E6dHx0K2y6uanz2vOKGKiQm4TuQw88tiz71_3WUosqNXRuyzqjc7sY5zpcKd6T410/w400-h291/P1220114%202.jpg" width="400" /></a></div></div><div><div style="text-align: center;"><span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span> </span></div><div style="text-align: center;"><span>Arbres par Anne-Marie Barcat </span></div><div style="text-align: center;"><span> </span></div><div style="text-align: center;"><span>Aquarelle <br /></span></div><p style="text-align: center;"><span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> <br /></span></span></p></div></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgueVQgUgzyhX3N08RrQMSBDhw22zNhn1vYWTEVrLD7xqIxKgTTkkpOOa_yoF0Qsw-J6nvjPbD9XbHHhY7vCk2CgiBE0hCgDje-B68PB4SJ4avMQKcs43K53yjB7qQx8pdIkBJiVVpv6l5K6gHPUxcR_fD-waZYBpEbBcpAveJQTohFQXFVM_v8wVqn5uY/s3520/P1220123.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2452" data-original-width="3520" height="279" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgueVQgUgzyhX3N08RrQMSBDhw22zNhn1vYWTEVrLD7xqIxKgTTkkpOOa_yoF0Qsw-J6nvjPbD9XbHHhY7vCk2CgiBE0hCgDje-B68PB4SJ4avMQKcs43K53yjB7qQx8pdIkBJiVVpv6l5K6gHPUxcR_fD-waZYBpEbBcpAveJQTohFQXFVM_v8wVqn5uY/w400-h279/P1220123.jpg" width="400" /></a></div><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> <span> </span></span></div><div><div style="text-align: center;"><span><span> </span></span><span>Paysage et arbre par Anne-Marie Barcat </span></div><div style="text-align: center;"><span> </span></div><div style="text-align: center;"><span>Aquarelle <br /></span></div><p style="text-align: center;"><span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span></span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span></p><div style="text-align: center;"></div><div style="text-align: justify;"><span style="color: #073763; font-family: inherit; font-size: large;">En octobre dernier, Anne-Marie, la dernière fille de Jacques Barcat, mourut au Mans </span><span style="color: #073763; font-family: inherit; font-size: large;">à l'âge de 92 ans</span><span style="color: #073763; font-family: inherit; font-size: large;">. Je n'ai pu aller à ses obsèques et un de mes amis, qui la connut bien, me représenta auprès de la famille. Ma tante fut pour moi la personne qui m'aida le plus à connaître mon grand-père et à apprécier sa peinture. Mais comme moi, jamais elle n'avait dessiné ni peint durant sa vie. La dernière fois que je l'avais revue dans son petit appartement d'une résidence en septembre 2018 elle me confia qu'elle s'entraînait à l'aquarelle, une technique pictorique que je considère extrêmement difficile et impossible à corriger, ce qui n'est pas le cas d'autres techniques. Je fis de nombreuses photos de ses essais que j'ai trouvé charmants et dont je vous présente ici quelques exemples en souvenir d'elle. Son père Jacques Barcat n'avait presque jamais fait d'aquarelles et la seule oeuvre que je connaisse de lui est justement celle du Petit Chaperon Rouge que j'ai présentée récemment.</span></div><div style="text-align: justify;"><span style="color: #073763; font-family: inherit; font-size: large;"> </span></div><div style="text-align: justify;"><span style="color: #073763; font-family: inherit; font-size: large;"> </span></div><div style="text-align: justify;"><span style="color: #660000; font-family: inherit; font-size: large;">En octubre pasado, Anne-Marie, la última hija de Jacques Barcat, murió en Le Mans a la edad de 92 años. No pude ir a su funeral y un amigo, que la conocía bien, me representó ante la familia. Mi tía fue para mí la persona que más me ayudó a conocer a mi abuelo y a apreciar su pintura. Pero como yo, nunca había dibujado ni pintado en su vida. La última vez que la vi en su pequeño apartamento de una residencia en septiembre de 2018, me dijo que estaba probando la acuarela, una técnica pictórica que considero extremadamente difícil e imposible de corregir, lo cual no es el caso de otras técnicas. Hice muchas fotos de sus ensayos que encontré encantadores y de las que les presento aquí algunos ejemplos en recuerdo de ella. Su padre Jacques Barcat casi nunca había hecho acuarelas y la única obra que conozco de él es precisamente la de Caperucita Roja que he presentado recientemente.</span></div><div style="text-align: justify;"><span style="color: #660000; font-family: inherit; font-size: large;"> </span></div><div style="text-align: justify;"><span style="color: #660000; font-family: inherit; font-size: large;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: large;">Last October, Anne-Marie, the last daughter of Jacques Barcat, died in Le Mans at the age of 92. I could not go to her funeral and one of my friends who knew her well represented me to the family. My aunt was for me the person who helped me the most to know my grandfather and to appreciate his painting. But like me, she had never drawn or painted during her life. The last time I saw her in her small apartment in a residence in September 2018, she told me that she trained in watercolor, a pictorial technique that I consider extremely difficult and impossible to correct, which is not the case for other techniques. I made many photos of her essays that I found charming and I present here some examples in memory of her. His father Jacques Barcat had almost never made watercolours and the only work I know of him is that of Little Red Riding Hood that I recently presented.</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: large;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi0xYaA2fWVIEsi2oq0LNlqPDffDqhAqA-aq1oy5SvYCQ9sqdKmOuP9UHguCksu4JGjhuyjGnufojiu8eqTgiB3f5X07dKXmo8HhdHUPsIZxuxgGFwOYc8Zjg4GeelYpTF-ZQhHd2Fr4bKuzVjT8w98JagcDgLPvr-l8pRltyggg3jXuovjTF3r46qbbfE" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="2736" data-original-width="3648" height="300" src="https://blogger.googleusercontent.com/img/a/AVvXsEi0xYaA2fWVIEsi2oq0LNlqPDffDqhAqA-aq1oy5SvYCQ9sqdKmOuP9UHguCksu4JGjhuyjGnufojiu8eqTgiB3f5X07dKXmo8HhdHUPsIZxuxgGFwOYc8Zjg4GeelYpTF-ZQhHd2Fr4bKuzVjT8w98JagcDgLPvr-l8pRltyggg3jXuovjTF3r46qbbfE=w400-h300" width="400" /></a></div></span><div style="text-align: center;"><span style="font-family: inherit; font-size: small;"><span style="font-family: inherit;">Nano et sa tante Anne-Marie au Mans en septembre 2018</span></span><br /></div></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: large;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: large;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: large;"><span style="color: #0b5394;">Anne Barcat (Nano)</span> <br /></span></div><div style="text-align: justify;"><span style="color: #660000; font-family: inherit; font-size: large;"> </span><br /></div></div>irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-21414765230522667152023-10-28T08:22:00.009-07:002023-11-30T14:19:59.881-08:00Le Petit Chaperon Rouge. La Caperucita Roja. Little Red Riding Hood.<div><p> </p><p style="margin-left: 40px; text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1FFeasiSLL8m-pSK7Y6KelO8nUm-PttANmqUgGqWr7g4jqTPIq2-37MP1cs31rQ35xVBhQ9imJafGw1D6QJ8iQwfbkcHVkTB4xhdMP6QqCf0qllHX5i-Wo_sPkVKhfHZEUqeDbRNUK-bw1MHqNBnyXGfWz08-vCnBGuxkjOEC0RKDUPvwcF7ZImUBaYc/s4608/20231027_152437.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3456" data-original-width="4608" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1FFeasiSLL8m-pSK7Y6KelO8nUm-PttANmqUgGqWr7g4jqTPIq2-37MP1cs31rQ35xVBhQ9imJafGw1D6QJ8iQwfbkcHVkTB4xhdMP6QqCf0qllHX5i-Wo_sPkVKhfHZEUqeDbRNUK-bw1MHqNBnyXGfWz08-vCnBGuxkjOEC0RKDUPvwcF7ZImUBaYc/w400-h300/20231027_152437.jpg" width="400" /></a></div><br /></div><div style="text-align: center;"> <span style="font-size: small;">Le Petit Chaperon Rouge par Jacques Barcat vers 1930</span></div><div style="text-align: center;"><span style="font-size: small;"> </span><span style="font-size: small;">Travail à la plume sur aquarelle</span></div><div style="text-align: center;"><span style="font-size: small;"> </span><span style="font-size: small;">Avec cadre 39 cm x 30 cm </span></div><p style="margin-left: 40px; text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5FlbOcWjz1oFXW4_snAom8B8m3VTYpFgdLyn9VmRPNW9vN5vFu2zGSGNS2ngSwx0FT_nbadmDwsDtBJ1ZGVgyeQUbdEe_etO4Soov1xxFnXSw9CpUYwji2Tr4y9k2o4Aqv24jSBN6Bc6_PkAyrjbsnwDeNTBu7kRM9-SXto3oYMheMKfkb54N_aJUxUw/s2676/20231027_152437%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2176" data-original-width="2676" height="325" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5FlbOcWjz1oFXW4_snAom8B8m3VTYpFgdLyn9VmRPNW9vN5vFu2zGSGNS2ngSwx0FT_nbadmDwsDtBJ1ZGVgyeQUbdEe_etO4Soov1xxFnXSw9CpUYwji2Tr4y9k2o4Aqv24jSBN6Bc6_PkAyrjbsnwDeNTBu7kRM9-SXto3oYMheMKfkb54N_aJUxUw/w400-h325/20231027_152437%202.jpg" width="400" /></a></div><p style="text-align: center;"> Le Petit Chaperon Rouge par Jacques Barcat vers 1930</p><p style="text-align: center;">sans cadre</p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiehzLGIs-f0R6RQ6C88UJ1D-f66Wu78HdoIelvYfbXpN2-DOm0BbNxDcJcM0RnZvCw45uHry0-PNss48XeSidZVMQaMA_L1gjlgxFhE_EVxEi6VBy505QVH8BTKvKD4uNZDRxbocEJDEsFwTZIDRspzu4F_uyBekbq_YZxAunLax2bUsXsMj3WyyVJyCc/s1503/Carton%20de%20renfort%20d'origine%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1503" data-original-width="1081" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiehzLGIs-f0R6RQ6C88UJ1D-f66Wu78HdoIelvYfbXpN2-DOm0BbNxDcJcM0RnZvCw45uHry0-PNss48XeSidZVMQaMA_L1gjlgxFhE_EVxEi6VBy505QVH8BTKvKD4uNZDRxbocEJDEsFwTZIDRspzu4F_uyBekbq_YZxAunLax2bUsXsMj3WyyVJyCc/w288-h400/Carton%20de%20renfort%20d'origine%202.jpg" width="288" /></a></div><p></p><p style="text-align: center;">Carton de renfort d'origine</p><p style="text-align: center;"> </p><p style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #073763; font-size: large;">Une petite-fille de l'artiste-peintre m’a fait parvenir des photographies de ce fin travail de Jacques Barcat qui l'a accompagnée depuis ses plus jeunes années. Il est fait à la plume et à l'encre de chine sur une aquarelle. Je ne l’avais jamais vu et vraiment notre grand-père ne cesse de me surprendre. L’œuvre est signée, mais sans date; elle est protégée par un verre et, grâce au carton de renfort de Sainte Thérèse de Lisieux qui est de 1927, j’ai pu savoir vers quelle époque elle a dû être exécutée. Le costume du Petit Chaperon Rouge a un style renaissance que ne ressemble pourtant à celui d'aucune peinture ni illustration ancienne de ce vieux conte de transmission orale repris par Charles Perrault en 1697.</span></span></p><p style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #073763; font-size: large;"> </span></span></p><p style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #660000; font-size: large;">Una nieta del pintor me hizo llegar fotografías de este fino trabajo de Jacques Barcat que la ha acompañado desde su infancia. Está hecho con pluma y tinta china sobre una acuarela. Nunca lo había visto y realmente nuestro abuelo no deja de sorprenderme. La obra está firmada, pero sin fecha; está protegida por un cristal y, gracias al cartón de refuerzo de Santa Teresa de Lisieux que es de 1927, pude saber hacia qué época tuvo que ser ejecutada. El traje de la Caperucita Roja tiene un estilo renacentista que no se parece al de ninguna pintura ni ilustración antigua de este viejo cuento de transmisión oral retomado por Charles Perrault en 1697.</span></span></p><p style="text-align: justify;"><span style="font-family: inherit;"><br /><br /><span><span style="font-size: large;">A granddaughter of the artist-painter sent me photographs of this end work of Jacques Barcat who accompanied her since her youngest years. It is done with a pen and ink on a watercolor. I had never seen it before and really our grandfather never ceases to surprise me. The work is signed, but without a date; it is protected by a glass and, thanks to the reinforced cardboard of Sainte Thérèse de Lisieux which is from 1927, I was able to know about what time it had to be executed. The costume of Little Red Riding Hood has a renaissance style that does not resemble that of any painting or old illustration of this old tale of oral transmission taken up by Charles Perrault in 1697.</span></span></span></p><p style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: large;"> </span></span></p><p style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: large;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: inherit;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKrgkWA5FRjggB2RPtx76uHWcUCj040uyFe1hPcajw7gnxUzEjmMwp8udhXwWPpShadT4gsQztq-r_vLpkWlldZrUc7DL717MmHxxoxDTRoT_6WBGJ3waZcnog_O5cECJuJiPeah88dJxyG4w2VZEjBGFDbeE0EfWhnoUjNas4YPJWtYZt0lOBXFXT1AQ/s1599/nouvel%20envoi%20d'Isabelle.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1599" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKrgkWA5FRjggB2RPtx76uHWcUCj040uyFe1hPcajw7gnxUzEjmMwp8udhXwWPpShadT4gsQztq-r_vLpkWlldZrUc7DL717MmHxxoxDTRoT_6WBGJ3waZcnog_O5cECJuJiPeah88dJxyG4w2VZEjBGFDbeE0EfWhnoUjNas4YPJWtYZt0lOBXFXT1AQ/w400-h300/nouvel%20envoi%20d'Isabelle.jpg" width="400" /></a></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: small;">Ancienne photo de l'œuvre sur papier sans verre</span></span></div><p></p><p style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: small;"> </span><span style="font-size: large;"></span></span></p><p style="text-align: justify;"><span style="color: #073763; font-family: inherit; font-size: large;">Nous avions aussi des photos anciennes de plus mauvaise qualité, prises sans le verre, ce qui évite les reflets, comme celle-ci. Selon mon frère Alain Barcat qui a travaillé en photographie et aux Beaux-Arts, le papier peut aussi causer des reflets diffus quand il est mal éclairé, ce qui est le cas de cette photo. Il a donc préféré améliorer la bonne photo que nous avions reçue sous verre. Il a tenté d’atténuer le moindre reflet, ce qui, sans modifier les couleurs, a permis de mieux faire apparaître les traits d’encre. Puis en la découpant, sans cadre, il a corrigé la perspective déformée par l’angle de prise de vue. La cheminée est moins penchée et l’angle du mur plus vertical. Voici le résultat final.</span></p><p style="text-align: justify;"><span style="color: #073763; font-family: inherit; font-size: large;"> </span></p><p style="text-align: justify;"><span style="color: #660000; font-family: inherit; font-size: large;">También teníamos fotos antiguas de peor calidad, tomadas sin el cristal, lo que evita reflejos, como la que presentamos aquí. Según mi hermano Alain Barcat, que ha trabajado en fotografía y en Bellas Artes, el papel también puede causar reflejos difusos cuando está mal iluminado, como es el caso de esta foto. Así que prefirió mejorar la buena foto que habíamos recibido bajo cristal. Trató de atenuar el más mínimo reflejo, lo que, sin alterar los colores, permitió mostrar mejor los trazados de tinta. Luego recortándola, sin marco, corrigió la perspectiva distorsionada por el ángulo de la toma fotográfica. La chimenea está menos inclinada y el ángulo de la pared más vertical. Éste es el resultado final.</span></p><p style="text-align: justify;"><br /></p><p style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: large;">We also had older photos of lower quality, taken without the glass to avoid reflections, like this one. According to my brother Alain Barcat, who worked in photography and fine arts, paper can also cause diffuse reflections when it is poorly lit, which would be the case in this photo. He preferred to improve the good photo we had received under glass. He tried to attenuate the slightest reflection, which, without modifying the colours, made it possible to better reveal the lines of ink. Then by cutting it, without frame, he corrected the distorted perspective by the photographic shooting angle. The chimney is less tilted and the angle of the wall more vertical. Here is the end result.</span></span></p><p style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: large;"> </span></span></p><p style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: large;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGdbL92iPUKKVezQd_Fl5XpA4Tb8w8Ug4olcgt5N2c32k13K4qQ4K2EFVLQMKKDRDcs203FAo1N-5gcEZ8JLbAq6Kz9t6fO0_TDDu_1xswUCXUI9wwxF1PsflnNnFRVvAEKJmIE__LnT9B03_HP8ATJFN1DzBTvw9KYzBK2XAIaJijzZ-SNg0IsmamJtA/s2906/20231027_152437%20rev%20AB.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2282" data-original-width="2906" height="314" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGdbL92iPUKKVezQd_Fl5XpA4Tb8w8Ug4olcgt5N2c32k13K4qQ4K2EFVLQMKKDRDcs203FAo1N-5gcEZ8JLbAq6Kz9t6fO0_TDDu_1xswUCXUI9wwxF1PsflnNnFRVvAEKJmIE__LnT9B03_HP8ATJFN1DzBTvw9KYzBK2XAIaJijzZ-SNg0IsmamJtA/w400-h314/20231027_152437%20rev%20AB.jpg" width="400" /></a></span></div><div style="text-align: center;"><span style="font-size: small;">Le Petit Chaperon Rouge par Jacques Barcat (vers 1930)</span></div><div style="text-align: center;"><span style="font-size: small;"> </span><span style="font-family: inherit;"><span style="font-size: small;">Encre de chine sur aquarelle</span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: small;"> </span></span><span style="font-family: inherit;"><span style="font-size: small;">Sans cadre</span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: small;"> </span></span><span style="font-family: inherit;"><span style="font-size: small;">Photographie revue et corrigée par Alain Barcat, petit-fils du peintre </span></span><br /></div><p style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: large;"> </span></span><br /></p><p style="text-align: center;"></p><p style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: large;"> <span style="color: #0b5394;">Anne Barcat (Nano) </span></span></span><br /></p>irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-61617703034062850152023-05-23T08:52:00.010-07:002023-05-23T10:31:30.744-07:00Le vrai tableau La Brodeuse ou Alice cousant. El verdadero cuadro La Bordadora o Alice cosiendo. The autentic painting The needlewoman or Alice sewing.<p> </p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjs4LdicKdQNpe36aahts4DmT3byaAk6mccqsqfisSUrL08s_eogRuEY-qFFHkmMpQsFXuoNk9aGgaUViqsMKQqewjTC5UNeyoVlvqi5yimD7Wxdv4OhQvy0w7Fx9qoQOjDIsTi0k4Rv76xSLtqKYLmVrV7jQ8JE6IPtp367b33HPdQ7OfQ_Mev922E" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="2795" data-original-width="2421" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEjs4LdicKdQNpe36aahts4DmT3byaAk6mccqsqfisSUrL08s_eogRuEY-qFFHkmMpQsFXuoNk9aGgaUViqsMKQqewjTC5UNeyoVlvqi5yimD7Wxdv4OhQvy0w7Fx9qoQOjDIsTi0k4Rv76xSLtqKYLmVrV7jQ8JE6IPtp367b33HPdQ7OfQ_Mev922E=w347-h400" width="347" /></a></div><p></p><p style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;">Jacques Barcat 1913</span></span></p><p style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;">La brodeuse ou Alice cousant</span></span></p><p style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;">Huile sur toile avec cadre </span></span><span face="Calibri, sans-serif" style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; caret-color: rgb(0, 0, 0); color: black; font-size: 14.6667px; font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: start; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px;">110,5 x 129,5 cm</span></p><p style="text-align: center;"><span style="font-size: small;"><span style="font-family: times;"><span style="-moz-text-size-adjust: auto; -webkit-text-stroke-width: 0px; caret-color: rgb(0, 0, 0); color: black; font-style: normal; font-variant-caps: normal; letter-spacing: normal; text-align: start; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo N.V. </span></span></span><br /> </p><p style="text-align: center;"></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEil0hx1kNDJ-GbdcYbN3ZpMOIQD_nzOcibXPwPF_Z5Ig-bOPyGgqW8QQFd4zlMfQjTXpMRPcwTRPnf6-4qj9SsBEu1qUdneHIAIryztzfYrsN_yHTwPbJpgBXfiKbyU4vvllc06MeanJGcQ4CHY0L_wl-iSegwaGVxn79fIxbv3mFnk_yMJrBbEkYus" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="2297" data-original-width="1890" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEil0hx1kNDJ-GbdcYbN3ZpMOIQD_nzOcibXPwPF_Z5Ig-bOPyGgqW8QQFd4zlMfQjTXpMRPcwTRPnf6-4qj9SsBEu1qUdneHIAIryztzfYrsN_yHTwPbJpgBXfiKbyU4vvllc06MeanJGcQ4CHY0L_wl-iSegwaGVxn79fIxbv3mFnk_yMJrBbEkYus=w328-h400" width="328" /></a></div><br /><p></p><p style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;">Jacques Barcat 1913</span></span></p><p style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;">La brodeuse ou Alice cousant</span></span></p><p style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: small;">Huile sur toile sans cadre </span><span style="-moz-text-size-adjust: auto; -webkit-text-stroke-width: 0px; caret-color: rgb(0, 0, 0); color: black; font-size: 14.6667px; font-style: normal; font-variant-caps: normal; letter-spacing: normal; text-align: start; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">92 x 111 cm</span></span></p><p style="text-align: center;"><span face="Calibri, sans-serif" style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; caret-color: rgb(0, 0, 0); color: black; font-size: 14.6667px; font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: start; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px;"><span style="font-size: small;"><span style="font-family: times;">Photo N. V.</span></span> <br /></span></p><div style="text-align: center;"><span face="Calibri, sans-serif" style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; caret-color: rgb(0, 0, 0); color: black; font-size: 14.6667px; font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: start; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px;"><span> </span></span><span face="Calibri, sans-serif" style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; caret-color: rgb(0, 0, 0); color: black; font-size: 14.6667px; font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: start; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px;"></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #073763;"><span style="font-size: large;"><span>Un marchand de tableaux a eu l'amabilité de me dire qu'il venait de mettre en vente cette oeuvre de Jacques Barcat et il m'envoie ces deux photos pour les mettre sur le blog. Je lui en suis très reconnaissante. L'oeuvre du même nom qui est conservée dans la famille et que j'ai mise sur ce blog le 25 novembre 2009 n'en était qu'une esquisse plus petite et celle-ci est sa réalisation achevée originale de 1913. Elle est en effet bien plus grande et vraiment magnifique. De genre intimiste et naturaliste, elle est de grande qualité et elle a de plus la particularité de nous faire connaître deux autres tableaux du peintre reproduits sur le mur: Le réveil de Jeannette avec toutes ses couleurs lumineuses et un peu plus sombre et moins entier Le Musée de Cluny de 1909 (Premier prix du Conseil Général de la Seine en 1910) qui représente la chambre de François Ier.</span></span></span></span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #660000;"><span style="font-size: large;"><span>Un vendedor de obras de arte tuvo la amabilidad de decirme que acababa de poner a la venta esta obra artística de Jacques Barcat y me envía estas dos fotos para ponerlas en el blog. Le estoy muy agradecida. La obra del mismo nombre que se conserva en la familia y que puse en este blog el 25 de noviembre de 2009 era sólo un esbozo más pequeño y esta es su realización acabada original de 1913. De hecho, es mucho más grande y realmente hermosa. De género intimista y naturalista, es de gran calidad y además tiene la particularidad de hacernos conocer dos otros cuadros del pintor reproducidos en la pared: El despertar de Jeannette con todos sus colores brillantes y un poco más oscuro y no entero El Museo de Cluny de 1909 (Premier prix du Conseil Général de la Seine en 1910) que representa la habitación de Francisco I.</span></span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #660000;"><span style="font-size: large;"><span> </span></span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: large;"><span>A painting salesman was kind enough to tell me that he had just put this artwork of Jacques Barcat on sale and he sends me these two photos to put on the blog. I am very grateful. The work of the same name that is kept in the family and that I put on this blog on November 25, 2009 was only a smaller sketch of it and this is its realization completed original of 1913. It is indeed much bigger and really beautiful. Of an intimate and naturalistic kind, it is of great quality and it has the particularity of making known to us two other paintings of the painter reproduced on the wall: The awakening of Jeannette with all its bright colors and a little darker and less complete Le Musée de Cluny of 1909 (Premier prix du Conseil Général de la Seine in 1910) which represents the room of François I.</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: large;"><span> </span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: large;"><span><span style="color: #0b5394;">Anne Barcat (Nano)</span> </span></span></span><br /></div><div><p style="text-align: center;"> </p></div>irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-34065605353573355302023-03-25T07:18:00.015-07:002023-10-28T13:30:30.332-07:00Madeleine, fille du peintre, lisant dans le jardin. Madeleine, hija del pintor, leyendo en el jardín. Madeleine, painter's daugther, reading in the garden. <div><p> </p><p style="margin-left: 40px; text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJxa59hQehWPQye7mALQradDrIRM-tZQL5ezfPN7R8yA3ygow3wv7yFVpQ2BVZyIkii4AwiKS9G3XKKUK9uNwu4NA4Sj6u3vMbg-BMu4MRvh2fI9b4uIHPtzmjrZ6ZDV4kQ6Z6ymgFv4PnuJDzPzlwDKA6vgtcO2SLHt-sAwqvPalMbCyCkhQvIlPb/s1316/i%CC%81ndice%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1075" data-original-width="1316" height="326" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJxa59hQehWPQye7mALQradDrIRM-tZQL5ezfPN7R8yA3ygow3wv7yFVpQ2BVZyIkii4AwiKS9G3XKKUK9uNwu4NA4Sj6u3vMbg-BMu4MRvh2fI9b4uIHPtzmjrZ6ZDV4kQ6Z6ymgFv4PnuJDzPzlwDKA6vgtcO2SLHt-sAwqvPalMbCyCkhQvIlPb/w400-h326/i%CC%81ndice%202.jpg" width="400" /></a></div></div><div style="text-align: center;"><span style="font-size: small;">Jacques Barcat 1929 ?</span></div><div style="text-align: center;"><span style="font-size: small;">Madeleine, fille du peintre, lisant dans le jardin</span></div><div style="text-align: center;"><span style="font-size: x-small;">Huile sur toile 25 cm x 21 cm sans cadre</span></div><div style="text-align: justify;"><span style="font-size: small;"> </span><br /></div><div style="text-align: justify;"><span style="color: #073763; font-family: inherit; font-size: large;">Ce portrait de Madeleine, fille du peintre, lisant sur une chaise dans le jardin, est une huile qui a été parfaitement conservée dans la famille bien qu'encadrée sous verre, ce qui prouve qu'elle était suffisamment sèche. Comme on n'a pas démonté le cadre pour savoir si le passe-partout cachait la date de son exécution, il semble que la fillette avait environ 8 ou 9 ans. Peu après le décès de Madeleine en décembre 2022 à l'âge de 101 ans, la photo m'a été aimablement envoyée par la famille. J'avais encore pu parler avec ma tante par téléphone quelques mois auparavant le jour de son anniversaire.<br /> <br /></span><span style="color: #660000; font-family: inherit; font-size: large;">Este retrato de Madeleine, hija del pintor, leyendo en una silla en el jardín, es un óleo que se ha conservado perfectamente en la familia aunque enmarcada bajo cristal, lo que demuestra que estaba suficientemente seca. Como no se ha desmontado el marco para saber si se ocultaba la fecha de su ejecución debajo de la firma, parece que la niña tenía unos 8 o 9 años. Poco después de la muerte de Madeleine en diciembre de 2022 a la edad de 101 años, la foto me fue enviada amablemente por la familia. Unos meses antes, el día de su cumpleaños, pude hablar por teléfono con mi tía. </span><span style="color: #073763; font-family: inherit; font-size: large;"><br /> <br /></span><span style="font-family: inherit; font-size: large;">This portrait of Madeleine, the painter’s daughter, reading on a chair in the garden, is an oil that was perfectly preserved in the family, although framed under glass, which proves that it was sufficiently dry. Since the frame was not dismantled to determine whether the date of her execution was hidden under the signature, it seems that the girl was about 8 or 9 years old. Shortly after Madeleine’s death in December 2022 at the age of 101, the photo was kindly sent to me by the family. I had still been able to speak with my aunt by telephone a few months before her birthday. <br /> </span><span style="font-family: inherit; font-size: large;"><br /></span></div><div><span style="color: #0b5394; font-family: inherit; font-size: large;">Anne Barcat (Nano)</span><span style="color: #073763; font-family: inherit; font-size: large;"> <br /></span><br /></div>irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-64167954357851881632022-10-21T05:58:00.007-07:002023-04-06T13:14:00.444-07:00Jeannette à la fenêtre. Jeannette en la ventana. Jeannette in the window.<div><p> </p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4aQ3wCWy4SzwIX5hP8DrzGS422gPh7iJNmoZ-xE9c0XsoNRXZJgt9ETKtk-lAPxLJoJvmLr95KaFkrorrPIyiitPqcZuM0i7khacBYwcEwme75WTTM43FCs8ryzupvFOb5EHRVho6gbjyYZWkwpwI2ujaXwqv5VrkG4GwwdmHlYf8Z_Uf1wRM5rTp/s401/Jeannette%20a%CC%80%20la%20fene%CC%82tre%20par%20Jacques%20Barcat.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="401" data-original-width="314" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4aQ3wCWy4SzwIX5hP8DrzGS422gPh7iJNmoZ-xE9c0XsoNRXZJgt9ETKtk-lAPxLJoJvmLr95KaFkrorrPIyiitPqcZuM0i7khacBYwcEwme75WTTM43FCs8ryzupvFOb5EHRVho6gbjyYZWkwpwI2ujaXwqv5VrkG4GwwdmHlYf8Z_Uf1wRM5rTp/w502-h640/Jeannette%20a%CC%80%20la%20fene%CC%82tre%20par%20Jacques%20Barcat.jpg" width="502" /></a></div><br /></div><div style="text-align: center;"><span style="font-family: arial;"><span> Jacques Barcat</span></span><span style="font-family: arial;"> </span></div><div style="text-align: center;"><span style="font-family: arial;">Jeannette à la fenêtre</span><span style="font-family: arial;"><span style="font-size: x-small;"> </span></span></div><div style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">Huile sur toile 1909</span></span><span style="font-family: arial;"><span style="font-size: x-small;"> </span></span></div><div style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">Photo sur Internet pour vente aux enchères</span></span></div><p style="text-align: center;"><br /></p><p style="text-align: justify;"><span style="color: #073763;"><span style="font-size: large;"><span style="font-family: arial;">J'ai trouvé ce joli portrait à l'huile sur toile en clair-obscur, vendu aux enchères sur Internet. Je n'en connais pas les dimensions Je ne peux pas non plus lire la date avec exactitude mais je pense qu'il doit être de 1909 car Jeannette la fille aînée du peintre, semble avoir environ 4 ans.<br /> <br /><span style="color: #660000;">Encontré este bonito retrato al óleo sobre lienzo en claro-oscuro, vendido en subasta en Internet. No conozco sus dimensiones. Tampoco logro leer la fecha con exactitud pero pienso que debe ser de 1909 porque Jeannette, hija mayor del pintor, parece tener unos 4 años.</span><br /> <br /><span style="color: black;">I found this nice portrait, an oil painting on canvas with chiaroscuro effect, sold by auction in Internet. I don't know the dimensions of it. Il can't read the date exactly either, but I think it must be from 1909, because Jeannette, the painter's eldest daughter, seems to be about 4 years old.</span><br /> <br /><span style="color: #0b5394;">Anne Barcat (Nano)</span></span></span></span></p><p style="text-align: justify;"><span style="color: #073763;"><span style="font-size: large;"><span style="font-family: arial;"></span></span></span><br /></p>irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-21362458036547926302022-07-02T09:31:00.012-07:002022-07-02T09:56:04.409-07:00Deux portraits de Simone Girard. Dos retratos de Simone Girard. Two portraits of Simone Girard.<div><div><p> </p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQfwvmrFE9SusTy_aoanVZnBGTt1SAuCwuqJERZHwgTlX-QvNN1IePHq11-RKyborEGs9M5a9IgLdLGUdMeDOqZL-FBLj0qvAvyZsfOBIFjpKyLj1htc8gnHy5JYukC4cPlgo4REgQ4DNkQ4Q4T2vrYajaPO8hvchVPgtduZVntSSXTEVpLUQutfww/s2644/P1210982.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2644" data-original-width="2253" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQfwvmrFE9SusTy_aoanVZnBGTt1SAuCwuqJERZHwgTlX-QvNN1IePHq11-RKyborEGs9M5a9IgLdLGUdMeDOqZL-FBLj0qvAvyZsfOBIFjpKyLj1htc8gnHy5JYukC4cPlgo4REgQ4DNkQ4Q4T2vrYajaPO8hvchVPgtduZVntSSXTEVpLUQutfww/w341-h400/P1210982.jpg" width="341" /></a></div><br /></div><div style="text-align: center;"> <span style="font-size: small;"><span style="font-family: inherit;">Jacques Barcat</span></span><span style="font-size: small;"><span style="font-family: inherit;"> </span></span></div><div style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;">Portrait de Simone Girard non daté</span></span><span style="font-size: small;"><span style="font-family: inherit;"> </span></span></div><div style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;">Huile sur toile avec cadre ovale</span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span> </span></span></span></span></div><div style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span>0,49 cm x
0,38 cm</span></span></span></span><span style="font-size: x-small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span> </span></span></span></span></div><div style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span><span style="font-family: inherit;">Photo Étienne Peltier</span> <br /></span></span></span></span></div><p style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span> </span></span></span></span></p><p style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span></span></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0--5gHUTXhZMMv5wehLXspRGWeZoJifUW2UX67w_3ulgpj4O_Ih9FX8kjgR3omHN1n_QOaF8dScs4d-X1hWRUtpp18gpp5AZmQ_CEXpKMZYC9GMfK-MO3Zxal6wzwOY6Qks7AcU5zHjVMVe6Wt5U_RhavwW5G9ueW72VO371volpHcC6QxvgxWP7K/s2710/P1210981.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2710" data-original-width="2345" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0--5gHUTXhZMMv5wehLXspRGWeZoJifUW2UX67w_3ulgpj4O_Ih9FX8kjgR3omHN1n_QOaF8dScs4d-X1hWRUtpp18gpp5AZmQ_CEXpKMZYC9GMfK-MO3Zxal6wzwOY6Qks7AcU5zHjVMVe6Wt5U_RhavwW5G9ueW72VO371volpHcC6QxvgxWP7K/w346-h400/P1210981.jpg" width="346" /></a></span></div><span style="font-size: small;"><br /></span></div><div style="text-align: center;"><span style="font-size: small;"> </span><span style="font-size: small;"><span style="font-family: inherit;">Jacques Barcat</span></span><span style="font-size: small;"><span style="font-family: inherit;"> </span></span></div><div style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;">Portrait de Simone Girard 1929</span></span><span style="font-size: small;"><span style="font-family: inherit;"> </span></span></div><div style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;">Huile sur toile avec cadre ovale</span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span> </span></span></span></span></div><div style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span>0,35 cm x
0,26 cm</span></span></span></span><span style="font-size: x-small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span> </span></span></span></span></div><div style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span><span style="font-family: inherit;">Photo Étienne Peltier</span> <br /></span></span></span></span></div><p style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span><br /></span></span></span></span></p><p style="text-align: justify;"><span style="font-family: arial;"><span><span style="font-size: small;"><span><span><span><span style="color: #073763;"><span style="font-size: large;"><span>Simone Girard était la fille née du premier mariage de madame Royer. Cette dernière et son second mari Georges Royer étaient de grands amis de mon grand-père Jacques Barcat. Mon ami Étienne Peltier, qui conserve ces portraits de Simone faits par l'artiste, fut le filleul de madame Royer, mais il ne connut pas sa fille car elle mourut très jeune. Le second portrait fut exécuté peu avant son décès.</span></span></span></span></span></span></span></span></span></p><p style="text-align: justify;"><span style="font-family: arial;"><span><span style="font-size: small;"><span><span><span><span style="color: #073763;"><span style="font-size: large;"><span><span style="color: #660000;"> </span></span></span></span></span></span></span></span></span></span></p><p style="text-align: justify;"><span style="font-family: arial;"><span><span style="font-size: small;"><span><span><span><span style="color: #073763;"><span style="font-size: large;"><span><span style="color: #660000;">Simone Girard era la hija del primer matrimonio de Madame Royer. Esta última y su segundo marido Georges Royer eran grandes amigos de mi abuelo Jacques Barcat. Mi amigo Étienne Peltier, que conserva estos retratos de Simone hechos por el artista, fue el ahijado de la señora Royer, pero no conoció a su hija porque murió muy joven. El segundo retrato fue ejecutado poco antes de su muerte. </span></span></span></span></span></span></span></span></span></span></p><p style="text-align: justify;"><span style="font-family: arial;"><span><span style="font-size: small;"><span><span><span><span style="color: #073763;"><span style="font-size: large;"><span><span style="color: black;"> </span></span></span></span></span></span></span></span></span></span></p><p style="text-align: justify;"><span style="font-family: arial;"><span><span style="font-size: small;"><span><span><span><span style="color: #073763;"><span style="font-size: large;"><span><span style="color: black;">Simone Girard was the daughter of Madame Royer’s first marriage. She and her second husband Georges Royer were great friends of my grandfather Jacques Barcat. My friend Étienne Peltier, who keeps these portraits of Simone made by the artist, was the godson of Madame Royer, but he did not know his daughter because she died very young. The second portrait was made shortly before his death.</span></span></span></span><span style="color: #0b5394;"><span style="font-size: large;"><span> </span></span></span></span></span></span></span></span></span></p><p style="text-align: justify;"><span style="font-family: arial;"><span><span style="font-size: small;"><span><span><span><span style="color: #0b5394;"><span style="font-size: large;"><span>Anne Barcat (Nano)</span></span></span></span></span></span></span></span></span></p><p style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: arial;"><span><style>@font-face
{font-family:"MS 明朝";
panose-1:0 0 0 0 0 0 0 0 0 0;
mso-font-charset:128;
mso-generic-font-family:roman;
mso-font-format:other;
mso-font-pitch:fixed;
mso-font-signature:1 134676480 16 0 131072 0;}@font-face
{font-family:"MS 明朝";
panose-1:0 0 0 0 0 0 0 0 0 0;
mso-font-charset:128;
mso-generic-font-family:roman;
mso-font-format:other;
mso-font-pitch:fixed;
mso-font-signature:1 134676480 16 0 131072 0;}@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:3 0 0 0 1 0;}@font-face
{font-family:Consolas;
panose-1:2 11 6 9 2 2 4 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:3 0 0 0 1 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0cm;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;
mso-ansi-language:ES-TRAD;
mso-fareast-language:JA;}.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-size:10.0pt;
mso-ansi-font-size:10.0pt;
mso-bidi-font-size:10.0pt;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;
mso-ansi-language:ES-TRAD;
mso-fareast-language:JA;}div.WordSection1
{page:WordSection1;}</style> </span></span><br /></span></span></p>irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-36438574569398031772022-06-27T13:13:00.005-07:002022-07-02T09:38:53.043-07:00Portrait d'une dame avec des accroche-coeur. Retrato de una señora con tirabuzones. Portrait of a lady with kiss curl.<div><p> </p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzKrnJnInqlINCS1yNIFseWyA7XSTERyUMTNqt-FbwqVnw0vv-Up5m9MC9UDObGKT6CmzOvY9Bqcz5Sph5Tj7_SmMvbtH4MSZPkwb7MJQT1_mAsFflniwDB_oMgrMcdAOxaB15JoPhj8N7UTLbXwO_SNxSU0X5u0_CkmZoHtCFLk0QZZq15cdMiV67/s1723/Image.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1723" data-original-width="1348" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzKrnJnInqlINCS1yNIFseWyA7XSTERyUMTNqt-FbwqVnw0vv-Up5m9MC9UDObGKT6CmzOvY9Bqcz5Sph5Tj7_SmMvbtH4MSZPkwb7MJQT1_mAsFflniwDB_oMgrMcdAOxaB15JoPhj8N7UTLbXwO_SNxSU0X5u0_CkmZoHtCFLk0QZZq15cdMiV67/w313-h400/Image.jpeg" width="313" /></a></div></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: small;">Jacques Barcat</span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: small;">Portrait d'une dame avec des accroche-coeur (1919)</span></span></div><div style="text-align: center;"><span style="font-family: inherit; font-size: x-small;"><span>Huile sur panneau de bois</span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-size: x-small;">Photo Bruno Descurninges</span> </span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: small;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: small;"><br /></span></span></div><div style="text-align: justify;"><span style="font-size: large;"><span style="font-family: inherit;"><span><span><span style="color: #073763;">Un Français m'a envoyé </span></span></span></span></span><span style="font-size: large;"><span style="font-family: inherit;"><span><span><span style="color: #073763;"><span style="font-size: large;"><span style="font-family: inherit;"><span><span><span style="color: #073763;">en mars 2022 </span></span></span></span></span>la photo de ce portrait de femme acheté le matin même aux Puces de St. Ouen à Paris. Je croyais que c'était un pastel, mais il m'a dit qu'il s'agissait d'une huile sur panneau de bois. Elle est bien signée par mon grand-père Jacques Barcat et datée en 1919. À cette époque, l'artiste-peintre habitait encore dans la capitale française à la Garenne-Colombes, il avait de jeunes enfants et je ne reconnais dans le portrait aucune personne de la famille. Ce doit donc être une oeuvre faite sur commande. Je la trouve très fine. Mais je n'en connais pas encore les mesures.</span></span></span></span></span></div><div style="text-align: justify;"><span style="font-size: large;"><span style="font-family: inherit;"><span><span><span style="color: #073763;"> </span></span></span></span></span></div><div style="text-align: justify;"><span style="font-size: large;"><span style="font-family: inherit;"><span><span><span style="color: #073763;"><span style="color: #660000;">Un francés me envió en marzo de 2022 la foto de este retrato de mujer comprado la misma mañana en les Puces de St. Ouen en París. Creí que era un pastel, pero me dijo que se trataba de un óleo sobre tabla de madera. Está firmada por mi abuelo Jacques Barcat y fechada en 1919. En aquella época, el artista aún vivía en la capital francesa en la Garenne-Colombes, tenía niños pequeños y no reconozco en el retrato a ninguna persona de la familia. Así que debe ser una obra de encargo. Me parece muy fina. Pero todavía no conozco las medidas.</span></span></span></span></span></span></div><div style="text-align: justify;"><span style="font-size: large;"><span style="font-family: inherit;"><span><span><span style="color: #073763;"><span style="color: #660000;"> </span></span></span></span></span></span></div><div style="text-align: justify;"><span style="font-size: large;"><span style="font-family: inherit;"><span><span><span style="color: #073763;"><span style="color: #660000;"><span style="color: black;">In March 2022, a Frenchman sent me a photo of this portrait of a woman bought that morning at the Puces de St. Ouen in Paris. I thought it was a pastel, but he told me it was an oil on a wooden panel. It is signed by my grandfather Jacques Barcat and dated 1919. At that time, the painter still lived in the french capital (in La Garenne-Colombes), he had young children and I d’not recognize in the portrait any person of the family. So it must be a custom work. I find it very fine. But I don’t know the measures yet.</span></span></span></span></span></span></span></div><div style="text-align: justify;"><span style="font-size: large;"><span style="font-family: inherit;"><span><span><span style="color: #073763;"><span style="color: #660000;"><span style="color: black;"> </span></span></span></span></span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-size: large;"><span style="font-family: inherit;"><span><span><span style="color: #073763;"><span style="color: #660000;"><span style="color: black;"><span style="color: #0b5394;">Anne Barcat (Nano)</span></span></span></span></span></span></span></span></span></span><br /></div><div style="text-align: center;"> </div><p></p>irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-44541776661210245252021-08-13T01:43:00.006-07:002021-08-13T04:39:16.525-07:00 Femme âgée, signé J. Barcat, 1905. Mujer mayor, firmado J. Barcat 1905. Elderly woman signed J. Barcat from 1905.<div><p style="text-align: left;"> </p><div class="separator" style="clear: both; text-align: center;"></div><div style="text-align: center;"><span> </span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdhLPb1_xA-Lbxj14DJf0jQdxysROOztPBCKDqkqx39xeW7PawSlVdGh_Yx5W0_GiJpSEUBwzu8o9vsqk8c7LYKfeTRaYf6VFwmW97QP0tQuKsd8aCoAmcLko53dxbkDZ97_0fq0HUoMQ/s700/Femme+a%25CC%2582ge%25CC%2581e+Jacques+Barcat+1905+Huile+sur+bois.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="700" data-original-width="558" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdhLPb1_xA-Lbxj14DJf0jQdxysROOztPBCKDqkqx39xeW7PawSlVdGh_Yx5W0_GiJpSEUBwzu8o9vsqk8c7LYKfeTRaYf6VFwmW97QP0tQuKsd8aCoAmcLko53dxbkDZ97_0fq0HUoMQ/w319-h400/Femme+a%25CC%2582ge%25CC%2581e+Jacques+Barcat+1905+Huile+sur+bois.jpg" width="319" /></a></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span><span style="font-size: small;">Jacques Barcat</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span><span style="font-size: small;">Femme âgée 1905 Pauline Bauché, épouse Virette <br /></span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span><span style="font-size: small;"><span style="font-size: x-small;">Huile sur panneau de bois 5 x 38 x 47 cm</span> </span></span></span></p><p style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: small;"> </span></span></p><p style="text-align: center;"><span style="font-size: small;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8IqMnPxiQH5JQr5UNWvcOY5fS2gL9JTNoMGcZIGWpnYXnDYO5_H9FmyNuTEUEZARXM_4WT3qRARgt8GYw-UaBzK1D4JJT4qSmhQl7YSTnq6XozojYGKlW2CQm-wVaYwJkRoAtn_V5Y_s/s1599/Pancarte+de+Champrond+.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1599" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8IqMnPxiQH5JQr5UNWvcOY5fS2gL9JTNoMGcZIGWpnYXnDYO5_H9FmyNuTEUEZARXM_4WT3qRARgt8GYw-UaBzK1D4JJT4qSmhQl7YSTnq6XozojYGKlW2CQm-wVaYwJkRoAtn_V5Y_s/w300-h400/Pancarte+de+Champrond+.jpeg" width="300" /></a></span></div><span style="font-size: small;"><br /></span></div><div style="text-align: center;"><span style="font-size: small;">Panneau des Forges de Cormorin (Vibraye) </span><br /></div><div><p></p><p style="text-align: justify;"><span style="font-size: small;"> </span></p><p style="text-align: justify;"><span style="font-family: arial;"><span style="font-size: small;"><span style="font-size: large;"><span style="color: #073763;">Ce portrait de femme âgée peint par Jacques Barcat fut acheté dans une salle de vente. J'en ai gardé la photo présentée au public, puis je l'ai un peu nettoyée. J'identifie mon arrière-arrière-grand-mère paternelle, grand-mère d'Alice, la femme du peintre, et le portrait fut sans doute exécuté peu avant le mariage de l'artiste qui se célébra en décembre de la même année. Il s'agit très certainement de Pauline Bauché Geslin, l'épouse d'Étienne Virette, maire de la Ferté-Bernard qui avait été un des directeurs des Forges de Cormorin (Vibraye) dans la Sarthe, dont j'ai retrouvé les anciens ateliers et la cheminée en 2018. Ce portrait montre une femme de mon âge, les manches retroussées, encore active, prenant un moment de repos assise dans un des typiques fauteuils Louis XVI que la famille possédait et que j'ai bien connus. Il y a dans ce visage de maîtresse de maison un émouvant regard qui accuse lassitude et vulnérabilité. Il faut souligner que Jacques Barcat était un peintre naturaliste qui exigeait à ses modèles des séances de pose répétées et extrêmement fatigantes, ce pourquoi Pauline ne s'y prêta sans doute que deux fois. L'artiste fit cette huile sur bois en 1905; puis, en 1907, il réalisa un portrait d'elle de face, ainsi qu'un autre de son mari. Je reçus les deux de mes ancêtres Virette en héritage et les ai présentés au début de ce blog, avec leur processus de restauration.</span></span></span></span></p><p style="text-align: justify;"><span style="font-family: arial;"><span style="font-size: small;"><span style="font-size: large;"><span style="color: #073763;">https://jacquesbarcat.blogspot.com/2009/10/portraits-de-monsieur-et-madame-virette.html</span></span></span></span></p><p style="text-align: justify;"><span style="font-family: arial;"><span style="font-size: small;"><span style="font-size: large;"><span style="color: #073763;">https://jacquesbarcat.blogspot.com/2009/10/processus-de-restauration-proceso-de.html</span></span></span></span></p><p style="text-align: justify;"><span style="font-family: arial;"><span style="font-size: small;"><span style="font-size: large;"><span style="color: #073763;"> </span></span></span></span></p><p style="text-align: justify;"><span style="font-family: arial;"><span style="font-size: small;"><span style="font-size: large;"><span style="color: #073763;"><span style="color: #660000;">Este retrato de mujer mayor pintado por Jacques Barcat fue comprado en una sala de ventas. Conservé su fotografía presentada al público, luego la limpié un poco. Identifico a mi tatarabuela paterna, abuela de Alice, la mujer del pintor, y el retrato fue sin duda ejecutado poco antes de la boda del artista que se celebró en diciembre del mismo año. Se trata muy seguramente de Pauline Bauché Geslin, la esposa de Étienne Virette, alcalde de la Ferté-Bernard que había sido uno de los directores de las Forjas de Cormorin (Vibraye) en la Sarthe, cuyos antiguos talleres y chimenea encontré en 2018. Este retrato muestra a una señora de mi edad, remangada, todavía activa, tomando un momento de descanso sentada en una de las típicas butacas Luis XVI que la familia poseía y que reconozco. Hay en el rostro del ama de casa una entrañable mirada que expresa lasitud y vulnerabilidad. Conviene subrayar que Jacques Barcat era un pintor naturalista que exigía </span></span></span></span><span style="font-size: small;"><span style="font-size: large;"><span style="color: #073763;"><span style="color: #660000;"><span style="font-size: small;"><span style="font-size: large;"><span style="color: #073763;"><span style="color: #660000;">a sus modelos </span></span></span></span>sesiones de pose repetidas y muy fatigosas, por lo cual Pauline no debió prestarse a ello más que dos veces. El artista hizo este óleo sobre madera en 1905; luego, en 1907, realizó un retrato suyo de frente, así como otro de su marido. Recibí los dos de mis antepasados Virette en herencia y los he presentado al principio de este blog, junto a su proceso de restauración.</span><br /></span></span></span></span></p><p style="text-align: justify;"><span style="font-family: arial;"><span style="color: #660000;"><span style="font-size: small;"><span style="font-size: large;">https://jacquesbarcat.blogspot.com/2009/10/portraits-de-monsieur-et-madame-virette.html</span></span></span></span></p><p style="text-align: justify;"><span style="font-family: arial;"><span style="color: #660000;"><span style="font-size: small;"><span style="font-size: large;">https://jacquesbarcat.blogspot.com/2009/10/processus-de-restauration-proceso-de.html</span></span></span></span></p><p style="text-align: justify;"><span style="font-family: arial;"><span style="color: #660000;"><span style="font-size: small;"><span style="font-size: large;"> </span></span></span></span></p><p style="text-align: justify;"><span style="font-family: arial;"><span style="color: #660000;"><span style="font-size: small;"><span style="font-size: large;"><span style="color: black;">This portrait of an elderly woman, painted by Jacques Barcat, was bought in a sales room. I kept the photo presented to the public, then I cleaned it up a bit. Thanks to the furniture in the room and other details, I identified my paternal great-great-grandmother, Alice’s grandmother, the painter’s wife, and the portrait was probably executed shortly before the artist’s wedding in December of that year. It is certainly Pauline Bauché Geslin, the wife of Étienne Virette, mayor of La Ferté-Bernard who had been one of the directors of the Forges de Cormorin (Vibraye) in the Sarthe, whose old workshops and fireplace I found in 2018. This portrait shows a woman my age, her sleeves rolled up, still active, taking a moment of rest sitting in one of the typical Louis XVI armchairs that the family owned and that I knew well. There is in this face of mistress of the house a moving look that accuses weariness and vulnerability. It should be pointed out that Jacques Barcat was a naturalistic painter who required his models to perform repeated sessions of pose, which were extremely tiring, which is why Pauline probably did not lend herself to it more than twice. The artist made this oil on a wooden panel in 1905; then, in 1907, he made a portrait of her face, as well as another of her husband. I received the two of my ancestors Virette in inheritance and presented them at the beginning of this blog, with their restoration process.<br /></span></span></span></span></span></p><p style="text-align: justify;"><span style="font-family: arial;"><span><span style="font-size: small;"><span style="font-size: large;">https://jacquesbarcat.blogspot.com/2009/10/portraits-de-monsieur-et-madame-virette.html</span></span></span></span></p><p style="text-align: justify;"><span style="font-family: arial;"><span><span style="font-size: small;"><span style="font-size: large;">https://jacquesbarcat.blogspot.com/2009/10/processus-de-restauration-proceso-de.html</span></span></span></span></p><p style="text-align: justify;"><span style="font-family: arial;"><span><span style="font-size: small;"><span style="font-size: large;"> </span></span></span></span></p><p style="text-align: justify;"><span style="font-family: arial;"><span><span style="font-size: small;"><span style="font-size: large;"><span style="color: #073763;">Anne Barcat (Nano)</span><br /></span></span></span></span></p><p style="text-align: justify;"><span><span style="font-size: small;"><span style="font-size: large;"><br /></span></span></span></p></div>irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-929690154441756902021-04-19T11:37:00.009-07:002022-07-02T09:45:00.623-07:00La cave à vin. La cava de vino. The wine cellar.<div style="text-align: center;"><p> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmrxket060FZ143hyJ_V2p0Hxoegf9W_IqmPBSKp6V5hqRtUMvC5nDfUayOyP7QqcwsaNmdIvwMnGjQRBe__xDpykXC0zIgkHfGMAsAjx2kegEMn3yh-OVN-6kHanBl9WLy1hxyhpyOCM/s2048/DSCN2658+copia.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1577" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmrxket060FZ143hyJ_V2p0Hxoegf9W_IqmPBSKp6V5hqRtUMvC5nDfUayOyP7QqcwsaNmdIvwMnGjQRBe__xDpykXC0zIgkHfGMAsAjx2kegEMn3yh-OVN-6kHanBl9WLy1hxyhpyOCM/w493-h640/DSCN2658+copia.JPG" width="493" /></a></p></div><div style="text-align: center;"> <span style="font-size: x-small;"><span style="font-family: inherit;"><span style="font-size: small;">La cave par Jacques Barcat (date incertaine 1905-1907?)</span></span></span><span style="font-family: inherit; font-size: x-small;"> </span></div><div style="text-align: center;"><span style="font-family: inherit; font-size: x-small;">Huile sur toile 38 cm x 29 cm</span><span style="font-size: x-small;"><span style="font-family: inherit;"> </span></span></div><div style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;">Photo Peltier</span></span><span style="font-size: x-small;"><span style="font-family: inherit;"> </span></span></div><div style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;"> <br /></span></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdfFu-Jl3iecXCQyxTd4RByuj4eF-Epb54AVV9bkZtCsjxfKMwZWz9GNCKVOx5qoRkE1tGxtNrgw-ufJg7UQvIeGYz4Gc_ZtlaMha2yN0IJAGunmz4d_LCr0-tznesW0IBsTwGmeS0_N8/" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="1472" data-original-width="2048" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdfFu-Jl3iecXCQyxTd4RByuj4eF-Epb54AVV9bkZtCsjxfKMwZWz9GNCKVOx5qoRkE1tGxtNrgw-ufJg7UQvIeGYz4Gc_ZtlaMha2yN0IJAGunmz4d_LCr0-tznesW0IBsTwGmeS0_N8/w400-h288/signature+en+couleur.png" width="400" /></a></div><p></p><p style="margin-left: 40px; text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5AJ-vhix6jXQ6cjDKEo_pjJ83ROHWDbfLCWGIhuNpkgM_yPt41tIpITGVrnnXmRRKFb9jf8BnvQuX0JqYk10v7_rl2eFKYf7o5s2Y-RcvLR4zZXEVC0z3at035xe3b-aXjm53qRCf3B8/s1866/signature+en+couleur+3.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="416" data-original-width="1866" height="142" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5AJ-vhix6jXQ6cjDKEo_pjJ83ROHWDbfLCWGIhuNpkgM_yPt41tIpITGVrnnXmRRKFb9jf8BnvQuX0JqYk10v7_rl2eFKYf7o5s2Y-RcvLR4zZXEVC0z3at035xe3b-aXjm53qRCf3B8/w640-h142/signature+en+couleur+3.png" width="640" /></a></span></span></div><div style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;"><span style="font-size: small;">Signature en majuscules et date</span> </span></span><br /></div></div><div><p style="margin-left: 40px; text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;"><br /></span></span></p><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #073763; font-size: large;"><span>Cette œuvre ancienne de Jacques Barcat, signée en majuscules comme le peintre le faisait parfois dans sa jeunesse, mais dont la date est difficile à lire (1905 ou 1907), me fut envoyée en photographie par le propriétaire qui habite au Mans. Il connut l'artiste avant et après la Seconde Guerre Mondiale. Ayant hérité de sa tante qui était une grande amie de notre famille, il conserve de nombreux tableaux de Jacques Barcat, sans tout savoir des lieux et des personnages représentés. Celui-ci nous offre une étonnante et lumineuse cave à vins. Les voûtes et les murs porteurs sont revêtus de stuc peint. Le propriétaire du cellier est peut-être passé pour choisir quelques bouteilles et s'est assis un moment pour goûter un vin en compagnie de son chien. Cette cave ne semble pas être sous le rez-de-chaussée d'une maison d'habitation, mais isolée et creusée au niveau du sol dans la roche tendre d'une colline comme c'était la coutume des villages troglodytes dans bien des pays du monde. Elle doit toujours exister et pourrait être de la région de la Ferté-Bernard (Sarthe) où vivaient les grands-parents maternels d'Alice, la femme du peintre. Même si cette œuvre n'est pas la plus représentative de Jacques Barcat, elle est le témoignage authentique d'une cave telle qu'elle était au début du XXème siècle.</span></span></span></div></div><div style="text-align: justify;"><span style="color: #073763; font-size: large;"><span style="font-family: inherit;"><br /> <br /><span style="color: #660000;">Esta obra antigua de Jacques Barcat, firmada en mayúsculas como lo hacía a veces el pintor en su juventud, y con la fecha difícil de leer (1905 o 1907), me fue enviada en fotografía por el propietario que vive en Le Mans. Él conoció al artista antes y después de la Segunda Guerra Mundial. Habiendo heredado de su tía que era una gran amiga de nuestra familia, él conserva numerosos cuadros de Jacques Barcat sin saber todo de los lugares y personajes representados. Éste nos ofrece una sorprendente y luminosa cueva de vinos. Las bóvedas y los muros de carga están revestidos de estuco pintado. El propietario de la bodega tal vez pasó para escoger unas botellas y se sentó un momento para probar un vino en compañía de su perro. Esta cueva no parece estar situada en el sótano de una vivienda, sino aislada y tallada a nivel del suelo en la roca blanda de una colina, como era la costumbre de los pueblos trogloditas de muchos países del mundo. Debe de existir todavía y podría ser de la región de la Ferté-Bernard (Sarthe) donde vivían los abuelos maternos de Alice, mujer del pintor. Aunque esta obra no sea la más representativa de Jacques Barcat, es el testimonio auténtico de una cueva tal como era al principio del siglo XX. </span><br /> <br /><span style="color: black;"> </span></span></span></div><div style="text-align: justify;"><span style="color: #073763; font-size: large;"><span style="font-family: inherit;"><span style="color: black;">This antique oil painting from Jacques Barcat is signed in capitals, as the painter sometimes did in his youth. The date is difficult to read and it is either 1905 or 1907. It was sent to me in a photograph by the owner. He lives in Le Mans and knew the artist before and after the Second World War. He inherited from his aunt who was a very good family friend of ours. He has many paintings from Jacques Barcat without knowing all the places and people represented. This one offers us a surprising and bright wine cellar with the vaults and load-bearing walls rendered with painted stucco. The owner of the cellar might want to choose some bottles of wine and before taking them out he could sit down to try a wine in the company of his dog. This cave does not seem to be located at the basement of a house, but carved into a stone hillside, which used to be the custom of many troglodyte villages around the world. The wine cave must still exist and it could be located in the region of La Ferté-Bernard (Sarthe) where the grandparents from the mother side of Alicia, the painter's wife, lived. Although this artwork is not the most representative of Jacques Barcat, it is the testimony of an authentic cave at the beginning of the 20th century.</span><br /></span></span></div><div><span style="color: #073763; font-size: large;"><span style="font-family: inherit;"><i><span style="color: black;">(Translation Leticia Navascues) </span></i> <br /> </span></span></div><div><span style="color: #073763; font-size: large;"><span style="font-family: inherit;">Anne Barcat (Nano)</span></span><br /></div>irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-73598285067902790202020-06-22T15:19:00.002-07:002021-09-18T14:00:09.572-07:00Copie du portrait de Joachim Jean Pierre Raoul de la Barre de Nanteuil. Copia del retrato de Joachim Jean Pierre Raoul de la Barre de Nanteuil. Copy of the portrait of Joachim Jean Pierre Raoul de la Barre de Nanteuil.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp5d2RlVCnzelB-ftOTFilIX1BNQg_3vpDHYOimWKV-jaqQtzSepZjeceVM2LjZKMwevJtat159Q8Pa64-oms13mw8SKjx54wgtCH0AhNIIIQqPQJUwAgIxjLDvttzlJ79jmI5oGSfsEo/s1600/IMG_1114+2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp5d2RlVCnzelB-ftOTFilIX1BNQg_3vpDHYOimWKV-jaqQtzSepZjeceVM2LjZKMwevJtat159Q8Pa64-oms13mw8SKjx54wgtCH0AhNIIIQqPQJUwAgIxjLDvttzlJ79jmI5oGSfsEo/s400/IMG_1114+2.jpg" width="300" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div style="text-align: center;">
J<span style="font-size: small;"><span style="font-family: inherit;">oachim Jean Pierre Raoul de la Barre de Nanteuil</span></span></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: inherit;">par Jacques Barcat (1906)</span></span></div>
<div style="text-align: center;">
<span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">Copie de l'original (École Française du XVIIIème siècle Coll. privée)</span></span></span></div>
<div style="text-align: center;">
<span style="font-family: inherit;"><span style="font-size: x-small;">Huile sur toile sans cadre 27 x 35 </span></span><br />
<span style="font-family: inherit;"><span style="font-size: x-small;">Photo Famille de la Barre de Nanteuil </span></span></div>
<div style="text-align: center;">
<span id="goog_474217633"></span><span id="goog_474217634"></span><span id="goog_175878487"></span><span id="goog_175878488"></span><br />
<span id="goog_474217633"></span><span id="goog_474217634"></span><span id="goog_175878487"></span><span id="goog_175878488"></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglWXMHiG_9OZfffvwNb5PpZdbOF5g7HVpeIzoRXi4zi5I7-oVlxy3KUptBw3vvdGF-80F9SRSoihlIm0ISn2nGMJ6cXDNOu244mfG_E1CxaDUE9Dr10bbFJOmfsCGBCWWe2DzQk7LvQXU/s1600/anniversaire+Laure+22.05.2014+652.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1273" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglWXMHiG_9OZfffvwNb5PpZdbOF5g7HVpeIzoRXi4zi5I7-oVlxy3KUptBw3vvdGF-80F9SRSoihlIm0ISn2nGMJ6cXDNOu244mfG_E1CxaDUE9Dr10bbFJOmfsCGBCWWe2DzQk7LvQXU/s400/anniversaire+Laure+22.05.2014+652.jpg" width="318" /></a></div>
<span style="font-family: inherit;"><span style="font-size: small;">Joachim Jean Pierre Raoul de la Barre de Nanteuil</span></span><br />
<span style="font-family: inherit;"><span style="font-size: small;">par Jacques Barcat (1906)</span></span><br />
<div style="text-align: center;">
<span style="font-family: inherit;"><span style="font-family: inherit;">Copie de l'original École Française du XVIIIème siècle coll. privée</span></span></div>
<span style="font-family: inherit;"><span style="font-size: x-small;">Huile sur toile avec cadre</span></span><br />
<span style="font-family: inherit;"><span style="font-size: x-small;">Photo Famille de la Barre de Nanteuil </span></span><br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKMdPkxm9mcy3FVTKPdmpf8RfvLKC4bup8Io9ffGjaePuVdL7YkFKAMEO2rU1hveWW4zZ2zIi0NG8zZM1KNlpaj3xM4-MC0ZknXzuLnKh6eRS74XFSOxZtaSWEjg5t3teNPic6OgJYIxo/s1600/anniversaire+Laure+22.05.2014+655.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKMdPkxm9mcy3FVTKPdmpf8RfvLKC4bup8Io9ffGjaePuVdL7YkFKAMEO2rU1hveWW4zZ2zIi0NG8zZM1KNlpaj3xM4-MC0ZknXzuLnKh6eRS74XFSOxZtaSWEjg5t3teNPic6OgJYIxo/s400/anniversaire+Laure+22.05.2014+655.jpg" width="400" /></a></div>
<span style="font-family: inherit;"><span style="font-family: inherit;"><span style="font-size: small;">Signature de Jacques Barcat et date de 1906 </span></span></span><br />
<span style="font-family: inherit;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-size: x-small;">Photo Famille de la Barre de Nanteuil</span> </span></span></span><br />
<span style="font-size: small;"><br /></span>
<span style="font-size: small;"></span><br />
<span style="font-size: small;"></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGw57lfm48xzAorptAn2DhGrXLqoR55dPkjiZBYEa1Qj1UKebBVYRECXR9Ds48nFWRkmY0CqqQ9LxwWovg3p4vcYnCyyD4r4GfhcSvqddh-eMWrUUS8mNiOfX3eKU9d6yA2pBCLmJXyOo/s1600/Raoul_IV_de_LA_BARRE_de_NANTEUIL_%25281743-1833%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="786" data-original-width="500" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGw57lfm48xzAorptAn2DhGrXLqoR55dPkjiZBYEa1Qj1UKebBVYRECXR9Ds48nFWRkmY0CqqQ9LxwWovg3p4vcYnCyyD4r4GfhcSvqddh-eMWrUUS8mNiOfX3eKU9d6yA2pBCLmJXyOo/s640/Raoul_IV_de_LA_BARRE_de_NANTEUIL_%25281743-1833%2529.jpg" width="406" /></a></div>
<span style="font-family: inherit;"><span style="font-family: inherit;"><span style="font-size: small;">Joachim Jean Pierre Raoul de la Barre de Nanteuil</span></span></span><br />
<span style="font-family: inherit;"><span style="font-family: inherit;"><span style="font-size: small;">École française du XVIIIème siècle. Auteur anonyme. Collection privée</span></span></span><br />
<span style="font-family: inherit;"><span style="font-size: x-small;">Archives de Wikimedia Commons</span></span><br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO94hzxBH0iM9_ETeebZBPyIRwrVsQyXGP_KwaXBqVWdyMeQ_TSu-PH7iIbJF-sla7PvjPPT4wi9rfSuhMDquDtN2tQT2H-l_OLhfOaFB5ay_gflQIRBS2RTyeIdbi4luT2o8h9B3uQGA/s1600/1024px-Order_of_Saint_Louis_IMG_2674.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="1024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO94hzxBH0iM9_ETeebZBPyIRwrVsQyXGP_KwaXBqVWdyMeQ_TSu-PH7iIbJF-sla7PvjPPT4wi9rfSuhMDquDtN2tQT2H-l_OLhfOaFB5ay_gflQIRBS2RTyeIdbi4luT2o8h9B3uQGA/s400/1024px-Order_of_Saint_Louis_IMG_2674.jpg" width="400" /></a></div>
<span style="font-family: inherit;"><span style="font-family: inherit;"><span style="font-size: small;">Croix de l'Ordre Royal et Militaire de Saint Louis </span></span></span><br />
<span style="font-family: inherit;"><span style="font-size: x-small;">Rama, travail personnel pour Wikimedia Commons</span></span><br />
<br />
<span style="font-size: small;"><br /></span>
<span style="font-size: small;"></span><br />
<span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlcsApzv2SLNLV7j0ybdZ3UOcIj8bZWYVKYUDztVorYJTmKB11B4n7BfxhY0fGkGQGFlratkxpHWoZJv_27SkDbCByosShIkxtKpJFjebZfZFAhq-hSD02ZDbQ-k23lurS1gXz8VHfazQ/s1600/Armoiries_LA_BARRE_de_NANTEUIL.jpg"><img border="0" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlcsApzv2SLNLV7j0ybdZ3UOcIj8bZWYVKYUDztVorYJTmKB11B4n7BfxhY0fGkGQGFlratkxpHWoZJv_27SkDbCByosShIkxtKpJFjebZfZFAhq-hSD02ZDbQ-k23lurS1gXz8VHfazQ/s400/Armoiries_LA_BARRE_de_NANTEUIL.jpg" width="400" /></a></span>
<span style="font-size: 12pt;"> </span><br />
<span style="font-size: small;"><span style="font-family: inherit;">Armoiries de la famille de la Barre de Nanteuil</span></span><br />
<div align="center" style="text-align: center;">
<span style="font-size: x-small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span style="font-size: xx-small;">Cyrille de Nanteuil. Travail
personnel pour Wikimedia Commons</span></span></span></span></span></div>
</div>
<div style="text-align: center;">
<span style="font-size: small;"><style>
<!--
/* Font Definitions */
@font-face
{font-family:Times;
panose-1:2 0 5 0 0 0 0 0 0 0;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:3 0 0 0 1 0;}
@font-face
{font-family:"MS 明朝";
mso-font-charset:78;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536870145 1791491579 18 0 131231 0;}
@font-face
{font-family:"MS 明朝";
mso-font-charset:78;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536870145 1791491579 18 0 131231 0;}
@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536870145 1073743103 0 0 415 0;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0cm;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;
mso-ansi-language:ES-TRAD;
mso-fareast-language:JA;}
p
{mso-style-noshow:yes;
mso-style-priority:99;
mso-margin-top-alt:auto;
margin-right:0cm;
mso-margin-bottom-alt:auto;
margin-left:0cm;
mso-pagination:widow-orphan;
font-size:10.0pt;
font-family:Times;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-bidi-font-family:"Times New Roman";}
.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-size:10.0pt;
mso-ansi-font-size:10.0pt;
mso-bidi-font-size:10.0pt;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;
mso-ansi-language:ES-TRAD;
mso-fareast-language:JA;}size:612.0pt 792.0pt;
margin:70.85pt 3.0cm 70.85pt 3.0cm;
mso-header-margin:36.0pt;
mso-footer-margin:36.0pt;
mso-paper-source:0;}
div.WordSection1
{page:WordSection1;}</style></span>
<span style="font-size: small;"></span>
<span style="font-size: small;"></span><br />
<span style="font-size: small;"></span>
<span style="font-size: small;"></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1eeHnOiAjmv3RwcXB-5t3ue_N7iNCG0u4ruuD4kwW-pftvdayBWAATVBj55CzfKxAczmrjasf0fRDPAiPRNZKbVrbvBZP5e32VIuGmL6g6mOUvS8lBzG64BNnofiT9c5zdv_m8xUampI/s1600/Liste+de+portraits%255B3%255D.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1201" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1eeHnOiAjmv3RwcXB-5t3ue_N7iNCG0u4ruuD4kwW-pftvdayBWAATVBj55CzfKxAczmrjasf0fRDPAiPRNZKbVrbvBZP5e32VIuGmL6g6mOUvS8lBzG64BNnofiT9c5zdv_m8xUampI/s400/Liste+de+portraits%255B3%255D.jpg" width="300" /></a></div>
<span style="font-family: inherit;"><span style="font-family: inherit;"><span style="font-size: small;">Liste de clients de Jacques Barcat à sa sortie des Beaux-Arts de Paris</span></span></span><br />
<span style="font-family: inherit;"><span style="font-family: inherit;"> <span style="font-size: small;">et première exposition au Salon des Artistes Français avec le portrait du chimiste L'Hôte.</span></span></span><br />
<span style="font-family: inherit;"><span style="font-family: inherit;"><span style="font-size: small;">Noms de ses professeurs aux Beaux-Arts de Paris. </span></span></span><br />
<span style="font-family: inherit;"><span style="font-family: inherit;"><span style="font-size: x-small;">Documents de la famille Mollière Barcat</span></span></span><br />
<div style="text-align: justify;">
<br />
<br />
<div style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-size: large;"><span style="font-family: inherit;"><span lang="FR" style="color: #073763;">Au début de 2014,
de Versailles, un descendant de Joachim de la Barre de Nanteuil, noble de la
cour de Louis XV ici représenté, entra en contact avec moi parce que, parmi ses
frères et sœurs, on conservait une copie assez fidèle du portrait original de l'École
Française du XVIIIème siècle et qui avait été réalisée par mon grand-père en
1906. Il désirait savoir si son arrière-grand-père Joseph de la Barre de
Nanteuil, qui habitait au château de la Chapelle du Bois des Faulx en Normandie
et qui vraisemblablement aurait fait la commande de la copie, maintenait une
relation d'amitié avec le peintre, où ils s'étaient connus et si le peintre
avait exécuté d'autres œuvres pour la famille de la Barre de Nanteuil. Il est bien certain que
Jacques Barcat était un portraitiste réputé dès sa sortie des Beaux-Arts à
Paris et que plusieurs familles de la noblesse ou de la bourgeoisie parisienne
lui faisaient des commandes. Mais je n'avais pas connaissance de ses amitiés à
Paris dans sa jeunesse. Peu à peu, grâce à mon cousin qui habite aussi à
Versailles, nous avons échangé des lettres et des documents en découvrant que
Jacques Barcat avait pour amis deux de ses clients qui furent invités à son
mariage le 27 décembre 1905 et que tous deux firent aux jeunes mariés un beau
cadeau en cette occasion. Aucun d'eux pourtant ne put assister à la cérémonie,
car le mariage de mes grands-parents fut célébré loin de Paris à Mondoubleau,
dans le Loir et Cher, peu avant le nouvel an. C'était le baron de la Barre de
Nanteuil qui habitait au château de La Chapelle du Bois des Faulx en Normandie ainsi
que le baron de Sénevas qui habitait à
Paris.</span></span></span><br />
<span style="font-size: large;"><span style="font-family: inherit;"><span lang="FR" style="color: #073763;">Parlons maintenant
du personnage qui est représenté sur le portrait. Il s'agit d'un jeune homme né
en 1743 aux Andelys qui fut tout d'abord page de la reine Marie Leszczynska,
l'épouse de Louis XV d'origine polonaise. Puis il entra dans une
compagnie de Gardes du Corps du roi, ce qui lui permit de connaître alors un
brigadier qui, comme lui, était normand et qui deviendra son beau-père un peu
plus tard. Sous le règne de Louis XVI, il exerça comme Lieutenant des Maréchaux
de France à Andely et il fut alors nommé par le roi <i>Chevalier de l'Ordre
Royal et Militaire de Saint Louis</i>, ordre créé par Louis XIV. On peut
observer qu'il en porte la croix honorifique sur la redingote de son uniforme,
croix que l'on retrouve sur l'écusson des armoiries de la famille situé en haut
du portrait. Sous le règne de Louis XVIII Joachim reçut le titre de comte,
titre de "courtoisie" héréditaire attribué à la famille de la Barre
de Nanteuil pour cinq siècles de services rendus à la dynastie des Bourbons. Ce
titre est décliné en vicomte ou baron chez les nombreux héritiers. Joachim fut
maire de sa ville natale Les Andelys où il mourut en 1833 après avoir de même
été Président du Conseil général de l'Eure qui était le département de cette
ville normande.</span></span></span><br />
<span style="font-size: large;"><span style="font-family: inherit;"><span lang="FR" style="color: #073763;">En ce qui concerne
la copie exécutée par Jacques Barcat, elle n'offre pas exactement l'expression
du visage de l'original du XVIIIème siècle qui est moins dure. Le peintre était
naturaliste et bien qu'il ait copié de nombreuses œuvres d'art pendant sa
formation artistique, il savait mieux transmettre ce que son œil percevait dans
l'espace. </span></span></span></div>
<style>
<!--
/* Font Definitions */
@font-face
{font-family:Times;
panose-1:2 0 5 0 0 0 0 0 0 0;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:3 0 0 0 1 0;}
@font-face
{font-family:"MS 明朝";
panose-1:0 0 0 0 0 0 0 0 0 0;
mso-font-charset:128;
mso-generic-font-family:roman;
mso-font-format:other;
mso-font-pitch:fixed;
mso-font-signature:1 134676480 16 0 131072 0;}
@font-face
{font-family:"MS 明朝";
panose-1:0 0 0 0 0 0 0 0 0 0;
mso-font-charset:128;
mso-generic-font-family:roman;
mso-font-format:other;
mso-font-pitch:fixed;
mso-font-signature:1 134676480 16 0 131072 0;}
@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:3 0 0 0 1 0;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0cm;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;
mso-ansi-language:ES-TRAD;
mso-fareast-language:JA;}
p
{mso-style-noshow:yes;
mso-style-priority:99;
mso-margin-top-alt:auto;
margin-right:0cm;
mso-margin-bottom-alt:auto;
margin-left:0cm;
mso-pagination:widow-orphan;
font-size:10.0pt;
font-family:Times;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-bidi-font-family:"Times New Roman";}
.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-size:10.0pt;
mso-ansi-font-size:10.0pt;
mso-bidi-font-size:10.0pt;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;
mso-ansi-language:ES-TRAD;
mso-fareast-language:JA;}size:612.0pt 792.0pt;
margin:70.85pt 3.0cm 70.85pt 3.0cm;
mso-header-margin:36.0pt;
mso-footer-margin:36.0pt;
mso-paper-source:0;}
div.WordSection1
{page:WordSection1;}</style></div>
<div style="text-align: justify;">
<br />
<br />
<br />
<div style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #660000;">A principios de 2014, desde Versalles,
un descendiente de Joachim de la Barre de Nanteuil, noble de la corte de Luis
XV aquí retratado, entró en contacto conmigo porque entre sus hermanos se conservaba
una copia bastante fiel del retrato original de la Escuela Francesa del siglo XVIII y
que había sido realizada por mi abuelo en 1906. Él deseaba saber si su
bisabuelo Joseph de la Barre de Nanteuil que vivía en el castillo de La Chapelle
du Bois des Faulx en Normandía y que muy probablemente habría encargado hacer
la copia, tenía una relación de amistad con el pintor, en qué lugar se
conocieron y si Jacques Barcat había ejecutado otras obras para la familia de
la Barre de Nanteuil. Bien es cierto que el pintor era un retratista de
renombre desde su salida de Bellas Artes y que varias familias de la
nobleza y de la burguesía le hacían encargos. Pero yo no tenía datos sobre sus
amistades en Paris durante su juventud. Poco a poco, gracias a mi primo que
también vive en Versalles, hemos intercambiado cartas y documentos,
descubriendo que Jacques Barcat tenía amistad con dos clientes suyos que fueron
invitados a su boda el 27 de diciembre 1905 y que los dos hicieron a los novios
un bonito regalo en esta ocasión. Sin embargo ninguno pudo asistir a la
ceremonia, ya que mis abuelos se casaron lejos de París en Mondoubleau (Loir et
Cher) poco antes del año nuevo. Se trataba de Joseph de la Barre de Nanteuil
que vivía en el castillo de La Chapelle du Bois des Faulx en Normandía, así
como del barón de Sénevas que tenía domicilio en París.</span></span></span><br />
<span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #660000;">Hablemos ahora del personaje retratado.
Es un hombre joven nacido en 1743 en Les Andelys y que fue primero paje de la
reina María</span><span style="color: #073763;"> </span><span style="color: #660000;">Leszczynska, la esposa de Luis XV de
origen polaco. Luego entró en una compañía de Guardias de Corps del rey, lo que
le permitió conocer a un brigadier que como él era normando y será su suegro
poco tiempo más tarde. Durante el reinado de Luis XVI, ejerció como
Lugarteniente de los Mariscales de Francia en Andely y entonces fue nombrado
por el rey <i>Chevalier de l'Ordre Royal et Militaire de Saint Louis, </i>orden<i>
</i>creada por Luis XIV. Se puede observar que lleva de ella la cruz honorífica
en la levita de su uniforme, cruz que volvemos a encontrar en la insignia de
las armerías de la familia situada en la esquina superior del cuadro. Bajo
el reinado de Luis XVIII Joachim recibió el título de conde, título de
"cortesía" hereditario atribuido a la familia de la Barre de Nanteuil
por cinco siglos de servicios rendidos a la dinastía de los Borbones. Este
título adoptó las formas de vizconde o barón en los herederos. Joachim fue
elegido alcalde de su pueblo natal les Andelys donde murió en 1833 después de
haber sido también Presidente del Consejo General del Eure que era el
departamento de esta ciudad de Normandía.</span></span></span><br />
<span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #660000;">En lo que concierne la copia ejecutada
por Jacques Barcat, no ofrece exactamente la expresión del rostro del original
del siglo XVIII que es menos dura. El pintor era naturalista y, aunque haya
copiado numerosas obras de arte durante su formación artística, sabía
transmitir mejor lo que su ojo percibía en el espacio.</span></span></span></div>
<style>
<!--
/* Font Definitions */
@font-face
{font-family:Times;
panose-1:2 0 5 0 0 0 0 0 0 0;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:3 0 0 0 1 0;}
@font-face
{font-family:"MS 明朝";
panose-1:0 0 0 0 0 0 0 0 0 0;
mso-font-charset:128;
mso-generic-font-family:roman;
mso-font-format:other;
mso-font-pitch:fixed;
mso-font-signature:1 134676480 16 0 131072 0;}
@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:3 0 0 0 1 0;}
@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:3 0 0 0 1 0;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0cm;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;
mso-ansi-language:ES-TRAD;
mso-fareast-language:JA;}
p
{mso-style-noshow:yes;
mso-style-priority:99;
mso-margin-top-alt:auto;
margin-right:0cm;
mso-margin-bottom-alt:auto;
margin-left:0cm;
mso-pagination:widow-orphan;
font-size:10.0pt;
font-family:Times;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-bidi-font-family:"Times New Roman";}
.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-size:10.0pt;
mso-ansi-font-size:10.0pt;
mso-bidi-font-size:10.0pt;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;
mso-ansi-language:ES-TRAD;
mso-fareast-language:JA;}size:612.0pt 792.0pt;
margin:70.85pt 3.0cm 70.85pt 3.0cm;
mso-header-margin:36.0pt;
mso-footer-margin:36.0pt;
mso-paper-source:0;}
div.WordSection1
{page:WordSection1;}</style><br />
<br />
<br />
<span style="color: #660000;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #073763;"><span style="color: #660000;"><span style="color: black;">At the beginning of 2014, from Versailles, a descendant of Joachim de la Barre de Nanteuil, a noble of the court of Louis XV, here portrayed, got into touch with me because, between his siblings, a very similar copy of the original portrait from the 18th Century’s École Française was conserved, and it was painted by my grandfather in 1906. He desired to know if his great-grandfather, Joseph de la Barre de Nanteuil, who lived in the La Chapelle du Bois des Faulx Castle in Normandy, and that very likely would have asked to paint the copy, had any friendship with the painter, in what place they met and if Jacques Barcat would have executed other works for the de la Barre de Nanteuil family. It is true that the painter was a renowned one for his portraits since he finished his studies in Fine Arts, and that several noble and bourgeois families asked him for artistic orders. But I did not have any information about his friendships in Paris during his youth. Little by little, thanks to a cousin that also lives in Versailles, we have exchanged letters and documents, discovering that Jacques Barcat was the friend of two of his clients and that they were invited to his wedding on December 27th 1905, and that both of them offered to the bride and groom a nice present on the occasion. However, none of them could attend the ceremony as my grandparents got married far from Paris, in Mondoubleau (Loir et Cher), right before New Year’s. They were Joseph de la Barre de Nanteuil, who lived in the La Chapelle du Bois des Faulx Castle in Normandy, and the Sénevas Baron, who lived in Paris.</span></span></span></span></span></span><br />
<span style="color: #660000;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #073763;"><span style="color: #660000;"><span style="color: black;">Let us talk now about the character portrayed. He is a young man who was born in 1743 in Les Andelys. He was first a page of the Queen Maria Leszczynska, wife of Louis XV, of Polish origin. Later he entered in a Society of Guards Corps of the king, which enabled him to know a brigadier that, as him, was from Normandy and he will later soon be his father-in-law. During the reign of Louis XVI, he worked as Deputy of the Marshals of France in Andely. Then, he was appointed by the king <i>Chevalier de l'Ordre Royal et Militaire de Saint Louis</i>, order created by Louis XIV. It can be observed that he is wearing the cross of this order in the frock coat of his uniform, cross that we will later find in the armoury insignia of the family situated in the upper corner of the painting. Under the kingdom of Louis XVIII, Joachim received the title of Count, a hereditary title given “by courtesy”, assigned to the de la Barre de Nanteuil family during five centuries of services offered to the Bourbon Dynasty. This title adopted the forms of Viscount or Baron in the heirs. Joachim was elected mayor of his natal village, Les Andelys, where he died in 1833 after having been also President of the General Council of Eure, that was the department of this city in Normandy.</span></span></span></span></span></span><br />
<span style="color: #660000;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #073763;"><span style="color: #660000;"><span style="color: black;">In which concerns to the copy executed by Jacques Barcat, it does not offer exactly the expression of the original from that of the 18th Century that is less harsh. The painter was a naturalist and, even though he copied several art works during his artistic formation, he knew how to transmit better what his eye perceved in the space.</span></span></span></span></span></span><br />
<span style="color: #660000;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #073763;"><span style="color: #660000;"><span style="color: black;"><i>(Translation Cassandra Villalba)</i> </span></span></span></span></span></span><br />
<span style="color: #660000;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #073763;"><span style="color: #660000;"><span style="color: black;"> </span> </span></span></span></span></span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAvfk-b_aC2QwUAE3_EpWLPi5C5NlDhOBEmOfFqVgnK7mQFy4BVemCYCNZNJ0QF4BSlnAuqUaHyWYRWKUZr4_H0dn8NSKgi8Tpc8FSYA0ur5R6mlooSA7vuOeRDJQMes8-GuIIwZkz4R4/s1600/cha%25CC%2582teau+de+la+chapelle+du+bois+des+Faulx.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="416" data-original-width="640" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAvfk-b_aC2QwUAE3_EpWLPi5C5NlDhOBEmOfFqVgnK7mQFy4BVemCYCNZNJ0QF4BSlnAuqUaHyWYRWKUZr4_H0dn8NSKgi8Tpc8FSYA0ur5R6mlooSA7vuOeRDJQMes8-GuIIwZkz4R4/s400/cha%25CC%2582teau+de+la+chapelle+du+bois+des+Faulx.jpg" width="400" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhert4JsgACqWXjL9NhGYpFNz5QSC07RMqyT5Om4fNLTMm_1ctaxqOVF28YrkTz8DSCAmeINcyyDWVaR49WMULC3LCtAx8eA44Opx0ae-qBttw8XceG9EWZnbYM1mWHMB5OcT-3aQ3pvOs/s1600/Chateau+de+La+CHAPELLE+du+BOIS+des+FAULX+3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="507" data-original-width="809" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhert4JsgACqWXjL9NhGYpFNz5QSC07RMqyT5Om4fNLTMm_1ctaxqOVF28YrkTz8DSCAmeINcyyDWVaR49WMULC3LCtAx8eA44Opx0ae-qBttw8XceG9EWZnbYM1mWHMB5OcT-3aQ3pvOs/s400/Chateau+de+La+CHAPELLE+du+BOIS+des+FAULX+3.jpg" width="400" /></a></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: x-small;"><span style="font-family: inherit;"><span style="font-size: xx-small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">Le Châtea<span style="font-family: inherit;">u de La Chapelle du Bois des Faulx au début du XXème siècle.</span></span></span>.</span></span></span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: x-small;"><span style="font-family: inherit;"><span style="font-size: xx-small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">Propriété de Joseph de la Barre de Nanteuil depuis 1880.</span></span>.</span></span></span></span></span></span><br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE4FhAmF83cR6hyphenhyphenHwO6G6KVveCkOOf-3OeRJK3JqlM94e4yYYg5KN5WrfOD0puVmOCADNDYxycdzciSMy7SyXT3z3q3jBNd73R4Pz8avbgwGNkoME8Os6Xkg75JpOjIQB_RBAfS-e0bsg/s1600/bb-bb-01316+de%25CC%2581cembre+2019.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1188" data-original-width="1600" height="296" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE4FhAmF83cR6hyphenhyphenHwO6G6KVveCkOOf-3OeRJK3JqlM94e4yYYg5KN5WrfOD0puVmOCADNDYxycdzciSMy7SyXT3z3q3jBNd73R4Pz8avbgwGNkoME8Os6Xkg75JpOjIQB_RBAfS-e0bsg/s400/bb-bb-01316+de%25CC%2581cembre+2019.jpg" width="400" /></a></div>
</div>
<div style="text-align: center;">
Joseph de la Barre de Nanteuil à La Chapelle au début du XXème siècle</div>
<div style="text-align: center;">
<span style="font-size: x-small;">Photo famille de la Barre de Nanteuil</span></div>
<br />
<div align="center" class="MsoNormal" style="text-align: center;">
<span lang="ES-TRAD" style="font-family: "times";"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv-Pz355GaT3cF4fxMbMai8b3iIJy_h8bceegkTEyqXZbmUeCe2xXRqLOMsv7DiQ1XduIIKwo3xfFx0KOhcDWhZH4oMTOWSU9Np68mZMa78MnTkSk3fAa4Ie9lPYUYteQQCEFjBuTXZOY/s1600/Re%25CC%2581ponse+baron+de+Nanteuil+1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1201" data-original-width="1600" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv-Pz355GaT3cF4fxMbMai8b3iIJy_h8bceegkTEyqXZbmUeCe2xXRqLOMsv7DiQ1XduIIKwo3xfFx0KOhcDWhZH4oMTOWSU9Np68mZMa78MnTkSk3fAa4Ie9lPYUYteQQCEFjBuTXZOY/s400/Re%25CC%2581ponse+baron+de+Nanteuil+1.jpg" width="400" /></a></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span lang="ES-TRAD" style="font-family: "times";"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJxFdZuy04zEulWed-XOErNWAy0xUZt-OSwRDw7cYMHVNCquKYQH-vQwMIIUQXbxuuCcG0veFZEDhtdvg0kGXDN-uj3Ksql5bV5IUN2uDsdTLMN0miZIBWsnj52h5BmIxbAtGMW0qHfYM/s1600/Re%25CC%2581ponse+baron+de+Nanteuil+2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1201" data-original-width="1600" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJxFdZuy04zEulWed-XOErNWAy0xUZt-OSwRDw7cYMHVNCquKYQH-vQwMIIUQXbxuuCcG0veFZEDhtdvg0kGXDN-uj3Ksql5bV5IUN2uDsdTLMN0miZIBWsnj52h5BmIxbAtGMW0qHfYM/s400/Re%25CC%2581ponse+baron+de+Nanteuil+2.jpg" width="400" /></a></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: inherit;">Lettre du Baron de Nanteuil à Jacques Barcat pour son mariage.</span></span></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: x-small;">Documents Famille Mollière-Barcat</span></span></span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinGb3iP3CzPYHipZJQa7x0BN9rM-6C4Z_43zWv6lpA8LLiurleQywNumsMSj8RfveDmVqPZHb2tH5qBx-3wPLvHW12wBEP-J5kvSzsrjIJApUiL9vgvtEMfechsdV_TsOEs1d2S31f5po/s1600/La+Chapelle+1901+-+Enfants+Gabriel.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1137" data-original-width="1600" height="283" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinGb3iP3CzPYHipZJQa7x0BN9rM-6C4Z_43zWv6lpA8LLiurleQywNumsMSj8RfveDmVqPZHb2tH5qBx-3wPLvHW12wBEP-J5kvSzsrjIJApUiL9vgvtEMfechsdV_TsOEs1d2S31f5po/s400/La+Chapelle+1901+-+Enfants+Gabriel.JPG" width="400" /></a></div>
<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: xx-small;"><span style="font-size: small;"><span style="font-family: inherit;">Les sept enfants de Joseph de la Barre de Nanteuil et de son épouse Charlotte de Graveron</span></span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: xx-small;"><span style="font-size: small;">Bernard, Jean, Antoinette, Charlotte, Marie-Thérèse, Gabriel et Élisabeth.</span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: xx-small;"><span style="font-size: small;"><span style="font-size: x-small;">Photo Famille de la Barre de Nanteuil</span> </span></span> </span></span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmEHerghGlYjyISytG1dkpwOxzY0-iI-WYwtKec-0pt60Q7UV-wZ9rwgA6sN3Xp6iXeO0V6eNAg5q51rUQZJ0iZaajZOscBY5B8-26vuBJlF3U-A8b1EyFFXXICooDbcSUfTFS5NZFbig/s1600/s-l1600+2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1457" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmEHerghGlYjyISytG1dkpwOxzY0-iI-WYwtKec-0pt60Q7UV-wZ9rwgA6sN3Xp6iXeO0V6eNAg5q51rUQZJ0iZaajZOscBY5B8-26vuBJlF3U-A8b1EyFFXXICooDbcSUfTFS5NZFbig/s400/s-l1600+2.jpg" width="363" /></a></div>
</div>
<div style="text-align: justify;">
</div>
<div style="text-align: justify;">
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: inherit;"><br /></span></span></div>
Le Baron et la Baronne de la Barre de Nanteuil font part du mariage de leur fille Antoinette avec Christian, un cousin lointain de la même famille. Antoinette sera la grand-mère des descendants qui conservent la copie du portrait de Joachim exécutée par Jacques Barcat et qui m'ont envoyé photos et données pour sa présentation sur le blog.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9u_qXnidFkzUqnZwUthzJxIfsEb8NO4CTYEpdcZzNzl273v_csoOdFUtAVANIwTxFHTkZqLFU9QyWfomuBxkUeWaEjNxBxBJN-TvJKLof5YUjETBNZ4NOI6mbNcXCiO9tN3HZ0ujSDPY/s1600/s-l1600.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1476" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9u_qXnidFkzUqnZwUthzJxIfsEb8NO4CTYEpdcZzNzl273v_csoOdFUtAVANIwTxFHTkZqLFU9QyWfomuBxkUeWaEjNxBxBJN-TvJKLof5YUjETBNZ4NOI6mbNcXCiO9tN3HZ0ujSDPY/s400/s-l1600.jpg" width="368" /> </a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyMwbP0SmkRXYF1ruX97o4L5xw6t1CQ_eOszi5HBUdHq_55HdmDWZL38-RZkQkyFAFin2hxXuMg19XvJIsHWuN9HV1fcuC1-NrHmf_95Vz7s9bFwMcCGhELyjVgD-QyT0BObu2zQK1T9Q/s1600/Agne%25CC%2580s_de_La_Barre_de_Nanteuil_%25281922-1944%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="380" data-original-width="296" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyMwbP0SmkRXYF1ruX97o4L5xw6t1CQ_eOszi5HBUdHq_55HdmDWZL38-RZkQkyFAFin2hxXuMg19XvJIsHWuN9HV1fcuC1-NrHmf_95Vz7s9bFwMcCGhELyjVgD-QyT0BObu2zQK1T9Q/s400/Agne%25CC%2580s_de_La_Barre_de_Nanteuil_%25281922-1944%2529.jpg" width="310" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: justify;">
Une petite-fille de Joseph, <b>Agnès de la Barre de Nanteuil,</b> fille de Gabriel, mourra pour la France à 21 ans en 1944, après avoir été arrêtée à Vannes et torturée par la Gestapo pour avoir participé activement à la Résistance. Elle est victime d'une ataque aérienne au cours de son transport en train vers l'Allemagne et meurt de ses blessures à la gare de Paray-le-Monial.</div><div class="separator" style="clear: both; text-align: justify;"> </div>
<div class="separator" style="clear: both; text-align: justify;">
https://fr.wikipedia.org/wiki/Agn%C3%A8s_de_La_Barre_de_Nanteuil</div><div class="separator" style="clear: both; text-align: justify;"> </div>
https://en.wikipedia.org/wiki/Agn%C3%A8s_de_La_Barre_de_Nanteuil<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: justify;">
<span style="color: #073763;"><span style="font-size: large;"><span style="font-family: inherit;">Anne Barcat</span></span></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span lang="ES-TRAD" style="font-family: "times";"><style>
<!--
/* Font Definitions */
@font-face
{font-family:Times;
panose-1:2 0 5 0 0 0 0 0 0 0;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:3 0 0 0 1 0;}
@font-face
{font-family:"MS 明朝";
mso-font-charset:78;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:1 134676480 16 0 131072 0;}
@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:3 0 0 0 1 0;}
@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536870145 1073743103 0 0 415 0;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0cm;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;
mso-ansi-language:ES-TRAD;
mso-fareast-language:JA;}
.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-size:10.0pt;
mso-ansi-font-size:10.0pt;
mso-bidi-font-size:10.0pt;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;
mso-ansi-language:ES-TRAD;
mso-fareast-language:JA;}size:612.0pt 792.0pt;
margin:70.85pt 3.0cm 70.85pt 3.0cm;
mso-header-margin:36.0pt;
mso-footer-margin:36.0pt;
mso-paper-source:0;}
div.WordSection1
{page:WordSection1;}</style></span></div>
<div style="text-align: center;">
<style>
<!--
/* Font Definitions */
@font-face
{font-family:Times;
panose-1:2 0 5 0 0 0 0 0 0 0;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:3 0 0 0 1 0;}
@font-face
{font-family:"MS 明朝";
mso-font-charset:78;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:1 134676480 16 0 131072 0;}
@font-face
{font-family:"MS 明朝";
mso-font-charset:78;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:1 134676480 16 0 131072 0;}
@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536870145 1073743103 0 0 415 0;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0cm;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;
mso-ansi-language:ES-TRAD;
mso-fareast-language:JA;}
.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-size:10.0pt;
mso-ansi-font-size:10.0pt;
mso-bidi-font-size:10.0pt;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;
mso-ansi-language:ES-TRAD;
mso-fareast-language:JA;}size:612.0pt 792.0pt;
margin:70.85pt 3.0cm 70.85pt 3.0cm;
mso-header-margin:36.0pt;
mso-footer-margin:36.0pt;
mso-paper-source:0;}
div.WordSection1
{page:WordSection1;}</style></div>
</div>
</div>
irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com2tag:blogger.com,1999:blog-6734919568493576398.post-19788203088805966292020-05-30T15:59:00.000-07:002020-06-05T03:32:16.174-07:00Vue par la fenêtre sur un jardin de ville. Vista desde la ventana sobre un jardín urbano. View from a window to an urban garden. <br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0mS0n8xGwaVsN8YhjQhRMMmSusOGlLEQ82Pd16LeaHL61IwDknmhPt2Tq-YyLwlos6r0YI5yC8n7Pnhw5mAE5sbcMd_c4c3Eagn5hGjCzjP-x_hyphenhyphenNdEize66-Cpr8Yc183FG6sNub9R8/s1600/IMG_6404.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1290" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0mS0n8xGwaVsN8YhjQhRMMmSusOGlLEQ82Pd16LeaHL61IwDknmhPt2Tq-YyLwlos6r0YI5yC8n7Pnhw5mAE5sbcMd_c4c3Eagn5hGjCzjP-x_hyphenhyphenNdEize66-Cpr8Yc183FG6sNub9R8/s400/IMG_6404.JPG" width="322" /></a></div>
<div style="text-align: center;">
Jacques Barcat 1909</div>
<div style="text-align: center;">
Vue par la fenêtre sur un jardin de ville sans cadre</div>
<div style="text-align: center;">
<span style="font-size: x-small;">Huile sur toile 60 x 75</span></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC3oS-0ERemNCnCMAtTBXxCYRN3QXyW-qjgzaA_lOdpqkLWHfovveaXnKKLbPeV6f5FvCIJCarfH_UCcJTlDIQdBXa3F6LjQOEf7RQ4t1XQN_uU-DrsTUvLmehkEryvbArg2BeOJVyqhg/s1600/IMG_8767+2.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1384" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC3oS-0ERemNCnCMAtTBXxCYRN3QXyW-qjgzaA_lOdpqkLWHfovveaXnKKLbPeV6f5FvCIJCarfH_UCcJTlDIQdBXa3F6LjQOEf7RQ4t1XQN_uU-DrsTUvLmehkEryvbArg2BeOJVyqhg/s400/IMG_8767+2.JPG" width="345" /></a></div>
<div style="text-align: center;">
Jacques Barcat 1909</div>
<div style="text-align: center;">
Vue par la fenêtre sur un jardin de ville avec cadre</div>
<div style="text-align: center;">
<span style="font-size: x-small;">Huile sur toile 60 x 75</span></div>
<div style="text-align: center;">
</div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8ikoLCD8Bfsov02PamUH__sJcd5bsRv7FMlpo8e1miqTioEXqs_deHk1L-vCBLiqGnPSK5wnKFgWC6DxIYoP5v19nP7qpiSLuxxvwc49MbAxoU2qcrz-LG6P-CUf7YstKSVC7PbhJPNQ/s1600/IMG_6402.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8ikoLCD8Bfsov02PamUH__sJcd5bsRv7FMlpo8e1miqTioEXqs_deHk1L-vCBLiqGnPSK5wnKFgWC6DxIYoP5v19nP7qpiSLuxxvwc49MbAxoU2qcrz-LG6P-CUf7YstKSVC7PbhJPNQ/s400/IMG_6402.JPG" width="400" /></a></div>
<div style="text-align: center;">
Signature de Jacques Barcat et date de 1909</div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: justify;">
<br />
<span style="font-family: inherit;"><span style="color: #073763;"><span style="font-size: large;">Nul ne sait le nom de la ville où se trouvait le peintre lorsqu'il a réalisé cette huile. La famille qui l'a achetée sur un coup de coeur, la même famille qui possède les deux vues sur un jardin de l'entrée précédente du blog, l'a appelée Viels-Maisons depuis toujours, car ce tableau évoquait la petite ville de l'Aisne où elle avait longtemps habité. Sans pouvoir rien affirmer, compte tenu de la date, ce paysage urbain me semble représenter une vue d'une fenêtre de la Garenne-Colombes où mes grands-parents ont vécu après leur mariage de 1905 à 1920.</span></span></span><br />
<span style="font-size: large;"><span style="font-size: large;"><span style="color: #073763;"><span style="color: #073763;"><span style="color: #073763;"><span style="color: #073763;"><span style="color: #073763;"><span style="color: #073763;"><span style="color: #073763;"><span style="color: #073763;"><span style="color: #073763;"><span style="color: #073763;"><span style="color: #0b5394;"> </span></span></span></span></span></span></span></span></span></span></span></span> </span></div>
<div style="text-align: justify;">
<span style="font-size: large;"><br /><span style="color: #660000;">Nadie sabe el nombre de la ciudad en la cual se encontraba el pintor cuando realizó este óleo. La familia que lo compró bajo un impulso, la misma familia que posee las dos vistas sobre un jardín de la entrada anterior del blog, lo llamó Viels-Maisons desde siempre, pues este cuadro evocaba la pequeña ciudad del departamento del Aisne donde vivió muchos años. Sin poder afirmar nada, tomando en cuenta la fecha, este paisaje urbano me parece representar una vista desde una ventana de la Garenne-Colombes donde mis abuelos vivieron en la calle de Plaisance después de su boda desde 1905 hasta 1920.</span></span></div>
<div style="text-align: justify;">
</div>
<div style="text-align: justify;">
<span style="font-size: large;"></span></div>
<div style="text-align: justify;">
<span style="font-size: large;"></span></div>
<div style="text-align: justify;">
<span style="font-size: large;"></span></div>
<div style="text-align: justify;">
<span style="font-size: large;"></span></div>
<div style="text-align: justify;">
<span style="font-size: large;"></span><br />
<span style="font-size: large;"><br />Nobody knows the name of the city where the painter was when he made this oil painting. The family that bought it under an impulse, the same family owner of the two garden landscapes described in the previous blogpost, called it “Viels-Maisons” from the very beginning as this painting recalled the small town of the French department Aisne where they had lived for a long time. Without being able to state it, by date I think this urban landscape represents the view from a window in La Garenne-Colombes where my grandparents lived in Plaisance Street after their marriage from 1905 to 1920.</span><br />
<span style="font-size: large;">(<i>Translation David Caño Barcat)</i></span><br />
<br />
<span style="font-size: large;"><span style="color: #073763;">En remerciement</span><i><span style="color: #073763;"> </span></i><span style="color: #073763;">de la personne qui m'a procuré la photo de ce tableau, je joins ce blog sur le village de Viels-Maisons dans l'Aisne: </span></span><br />
<span style="font-size: large;">http://aufildelaisne.eklablog.com/les-jardins-de-viels-maisons-a40017394</span><br />
<br />
<br />
<span style="font-size: large;"><span style="color: #073763;">Anne Barcat (Nano)</span></span></div>
irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-91530646571969717132020-03-22T05:38:00.001-07:002020-07-25T04:01:09.073-07:00Deux vues sur un jardin au début du XXème siècle. Dos vistas a un jardín al principio del siglo XX. Two views on a garden at the beginning of the 20th Century.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8pmpA8Esa6O8L1AHJRk2V1-3axexNMBsBpWH1NYWIUZ7PYKRFLKCkJF4kvBwHsd4GI_fTpXNlBWw4H2Ry2bZRn2dv-PEQhWoCLntfVwz6C-qXVgcPXxP_5IIQNNB-nKdlNeVAk9oUBVA/s1600/IMG_6398+2.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1051" data-original-width="1600" height="261" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8pmpA8Esa6O8L1AHJRk2V1-3axexNMBsBpWH1NYWIUZ7PYKRFLKCkJF4kvBwHsd4GI_fTpXNlBWw4H2Ry2bZRn2dv-PEQhWoCLntfVwz6C-qXVgcPXxP_5IIQNNB-nKdlNeVAk9oUBVA/s400/IMG_6398+2.JPG" width="400" /></a></div>
<div style="text-align: center;">
Première vue sur un jardin (1911)</div>
<div style="text-align: center;">
Jacques Barcat</div>
<div style="text-align: center;">
<span style="font-size: x-small;">Huile sur toile sans cadre</span></div>
<div style="text-align: center;">
<span style="font-size: x-small;">41 x 27</span></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtDWQTJ5H8ZGYlLleCx9aqx6XsYmCxIXwS_CYA_idj7zXHa959RYcTdRTH2OqwKN5TIczFjzTVRXLDXW28dmPUuLbmB4lUZkUCr0OvSsyrg8G2RhxvASVmPQiSkX1PEh4NjFHWrrxK67E/s1600/IMG_6398+copia.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1163" data-original-width="1600" height="290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtDWQTJ5H8ZGYlLleCx9aqx6XsYmCxIXwS_CYA_idj7zXHa959RYcTdRTH2OqwKN5TIczFjzTVRXLDXW28dmPUuLbmB4lUZkUCr0OvSsyrg8G2RhxvASVmPQiSkX1PEh4NjFHWrrxK67E/s400/IMG_6398+copia.JPG" width="400" /></a></div>
<div style="text-align: center;">
Première vue sur un jardin (1911)</div>
<div style="text-align: center;">
Jacques Barcat</div>
<div style="text-align: center;">
<span style="font-size: x-small;">Huile sur toile avec cadre</span></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhygIK9xGGHzEpoZAO3MfL4QjQzjZyvivG1QxU5tJ8YKgL4hVvDjrH6Kl_y4wV5ItMg7v699fG3vNIejNrvAQSdTe3hECmfeVc1NBZBfzS4d9HSfygsp6E_MpbE-1AyFuP7BhYf1ULP7vs/s1600/IMG_6380.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhygIK9xGGHzEpoZAO3MfL4QjQzjZyvivG1QxU5tJ8YKgL4hVvDjrH6Kl_y4wV5ItMg7v699fG3vNIejNrvAQSdTe3hECmfeVc1NBZBfzS4d9HSfygsp6E_MpbE-1AyFuP7BhYf1ULP7vs/s320/IMG_6380.JPG" width="320" /></a></div>
<div style="text-align: center;">
Signature de Jacques Barcat et date 1911</div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis6Mt5oS9oLPBsdyIJpy6lU4dizNlDjzT1p14iJAzl6RaO4QD8j0hXYxHUbiK8kNhp_Ljy7txm1iNDbPse2jqvz_tO90L-o7sn1Ta90Kez1grkQKtw2tt9i_domXVJPeGArgYxHsp9HsY/s1600/IMG_6362.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1272" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis6Mt5oS9oLPBsdyIJpy6lU4dizNlDjzT1p14iJAzl6RaO4QD8j0hXYxHUbiK8kNhp_Ljy7txm1iNDbPse2jqvz_tO90L-o7sn1Ta90Kez1grkQKtw2tt9i_domXVJPeGArgYxHsp9HsY/s400/IMG_6362.JPG" width="317" /></a></div>
<div style="text-align: center;">
Deuxième vue sur un jardin (1912)</div>
<div style="text-align: center;">
Jacques Barcat</div>
<div style="text-align: center;">
<span style="font-size: x-small;">Huile sur toile sans cadre</span></div>
<div style="text-align: center;">
<span style="font-size: x-small;">38 x 46</span></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhch2nAuegOtox0ylDDbTR4bKzf-ZjURY7WSfoz1OXzExBOg7rdOopOVdRoB0oYTw291ozfDJQRFh7pHwaotTIbd4DgOAjSYS3bpi9ldAF4TNQz6hc2fFMyuKOJgKmSlpWPUI27dISxdo4/s1600/IMG_6399+copia+2.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1361" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhch2nAuegOtox0ylDDbTR4bKzf-ZjURY7WSfoz1OXzExBOg7rdOopOVdRoB0oYTw291ozfDJQRFh7pHwaotTIbd4DgOAjSYS3bpi9ldAF4TNQz6hc2fFMyuKOJgKmSlpWPUI27dISxdo4/s400/IMG_6399+copia+2.JPG" width="340" /></a></div>
<div style="text-align: center;">
Deuxième vue sur un jardin (1912)</div>
<div style="text-align: center;">
Jacques Barcat</div>
<div style="text-align: center;">
<span style="font-size: x-small;">Huile sur toile avec cadre </span></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirnz1lCzChZ6W6eLXWlZpgxDk7aNvTEhJG7HkgMqvVDi2lT3ctK5pvIXRrIycN8JcE3G_ygUBGLVO5XwZc0KmKYACxj_BoyiVvUF_k-RNmXA6SfLOG09eehrHYzfsYG0F221N64K0nYt4/s1600/IMG_6378.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirnz1lCzChZ6W6eLXWlZpgxDk7aNvTEhJG7HkgMqvVDi2lT3ctK5pvIXRrIycN8JcE3G_ygUBGLVO5XwZc0KmKYACxj_BoyiVvUF_k-RNmXA6SfLOG09eehrHYzfsYG0F221N64K0nYt4/s400/IMG_6378.JPG" width="400" /></a></div>
<div style="text-align: center;">
Signature Jacques Barcat et date 1912</div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: justify;">
<br />
<br />
<span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #073763;">Depuis longtemps, une aimable dame de Calais désirait me faire connaître ces oeuvres de mon grand-père qu'elle avait reçues de ses parents. Celles-ci avaient été acquises par eux sur un coup de coeur chez des antiquaires et ils savaient seulement que le peintre avait une certaine renommée, mais ils ne l'avaient pas connu. Grâce à ce blog, la propriétaire a pris contact avec moi pour m'envoyer les photos des tableaux et m'a donné la permission de faire connaître ces oeuvres que je n'avais jamais vues et qui correspondent à la jeunesse de l'artiste quand il habitait encore à Paris après son mariage. Personne ne sait si ces deux tableaux montrent deux angles d'un même jardin (des arbres très semblables sur les deux tableaux pourraient le suggérer) ou s'ils représentent des jardins différents. On ne sait pas non plus s'il s'agit de Paris, La Ferté-Bernard, Mondoubleau ou Le Mans où la belle-famille du peintre avait des propriétés. Mais peu importe. La vue de 1911 offre une végétation exubérante dans un effet de clair-obscur très esthétique. Quant à la vue de 1912, elle est tout à fait naturaliste, en ce sens que Jacques Barcat s'est assis devant deux arbres dont les troncs proches de lui pouvait gêner sa perspective comme les barreaux d'une fenêtre, mais il les a peints tels qu'il les voyait à quelques pas de son chevalet. Leur présence au premier plan rend plus mystérieuse la cabane de bois pourtant ensoleillée qu'on découvre derrière eux.</span></span></span><br />
<br />
<br />
<span style="color: #073763;"><span style="color: #0b5394;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #660000;">Desde hace mucho tiempo, una amable señora de Calais deseaba darme a conocer estas obras de mi abuelo que ella había recibido de sus padres. Éstas habían sido compradas por ellos a unos anticuarios en una corazonada y sabían que el pintor tenía cierta fama, pero no le conocieron. Gracias a este blog, la propietaria tomó contacto conmigo para mandarme las fotos de los cuadros y me dio permiso para dar a conocer estas obras que yo no había visto nunca y que corresponden a la juventud del artista cuando vivía todavía en Paris después de casarse. Nadie sabe si estos dos cuadros muestran dos ángulos de un mismo jardín (árboles muy parecidos podrían hacerlo suponer) </span></span></span></span></span><span style="color: #073763;"><span style="color: #0b5394;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #660000;">o si representan jardines diferentes. Tampoco se sabe si se trata de Paris, La Ferté-Bernard, Mondoubleau o Le Mans donde la familia política del pintor tenía propiedades. <span style="color: #073763;"><span style="color: #0b5394;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #660000;">Pero poco importa. La primera vista de 1911 ofrece una vegetación exuberante con un efecto de claro-oscuro muy estético. En cuanto a la vista de 1912, es totalmente naturalista, ya que Jacques Barcat se sentó delante de dos árboles cuyos troncos cércanos </span></span></span></span></span></span></span></span></span></span><span style="color: #073763;"><span style="color: #0b5394;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #660000;"><span style="color: #073763;"><span style="color: #0b5394;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #660000;"><span style="color: #073763;"><span style="color: #0b5394;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #660000;"><span style="color: #073763;"><span style="color: #0b5394;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #660000;">podían molestar su perspectiva como las rejas de una ventana, pero los pintó tal como los veía a pocos pasos de su caballete. Su presencia en primer plano </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><span style="color: #073763;"><span style="color: #0b5394;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #660000;"><span style="color: #073763;"><span style="color: #0b5394;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #660000;"><span style="color: #073763;"><span style="color: #0b5394;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #660000;"><span style="color: #073763;"><span style="color: #0b5394;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #660000;"><span style="color: #073763;"><span style="color: #0b5394;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #660000;"><span style="color: #073763;"><span style="color: #0b5394;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #660000;"><span style="color: #073763;"><span style="color: #0b5394;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #660000;"><span style="color: #073763;"><span style="color: #0b5394;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #660000;">da más misterio a la cabaña de madera que aparece tras ellos, a pesar del sol que la ilumina.</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><br />
<br />
<br />
<span style="font-size: large;"><span style="font-family: inherit;">From a long time ago, a kind lady from Calais desired to make me know these works painted by my grandfather that she received from her parents. These were bought by them in an antiques shop in a hunch, because they knew that the painter had certain fame, but they did not know him. Thanks to this blog, the owner contacted me to send me pictures of the paintings and gave me the permission to make them known. I had never seen them and they correspond to the youth of the artist when he still lived in Paris after getting married. Nobody knows if these two paintings show two angles of the same garden (very similar trees might make us think this) or if they represent different gardens. We do not know if it is Paris, La Ferté-Bemard, Mondoubleau or Le Mans where the in-laws of the painter had properties. But it does not matter. The first painting is from 1911 and it offers a landscape of exuberant vegetation with a very beautiful chiaroscuro effect. The second painting from 1912 is completely Naturalist, since Jacques Barcat seated in front of the trees whose close trunks could disturb his perspective like the bars of a window, but he painted them as he saw them from a close distance from his easel. His close-up presence adds more mystery to the wood cottage that appears behind them, despite of the sun shining.</span></span><br />
<span style="font-size: large;"><span style="font-family: inherit;">(<i>Translation Cassandra Villalba)</i> </span></span><br />
<br />
<br />
<span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;">Anne Barcat (Nano)</span></span></span><br />
<span style="color: #073763;"><span style="color: #0b5394;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #660000;"><span style="color: #073763;"><span style="color: #0b5394;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #660000;"><br /></span></span></span></span></span></span></span></span></span></span></div>
irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-3563978192217776762019-10-28T04:28:00.000-07:002019-10-28T05:27:02.076-07:00Jeannette, fille du peintre à huit ans, portrait original en couleur. Jeannette, hija del pintor a los ocho años. retrato original en color. Jeannette, the painter’s daughter, eight years old, original portrait in colour. <br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdjcXpH_58KEFs10wR0HpwkCk3SI6GUFLAucmH-cIqSU-3E1hXITtXcgNnNQ2mbmsf9314-U2wFqFDFYJZ3BlyeBrb8OWu9GbhruWG354wQ-H3WQEYAK20aCOsskMa_DdlKl2Cs3GcSWM/s1600/i%25CC%2581ndice+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="979" data-original-width="996" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdjcXpH_58KEFs10wR0HpwkCk3SI6GUFLAucmH-cIqSU-3E1hXITtXcgNnNQ2mbmsf9314-U2wFqFDFYJZ3BlyeBrb8OWu9GbhruWG354wQ-H3WQEYAK20aCOsskMa_DdlKl2Cs3GcSWM/s400/i%25CC%2581ndice+2.jpg" width="400" /></a></div>
<div style="text-align: center;">
<span style="font-size: small;">Jacques Barcat (1913)</span></div>
<div style="text-align: center;">
<span style="font-size: small;">Jeannette, fille du peintre à huit ans (portrait original en couleur non restauré)</span></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-size: x-small;">Huile sur toile</span></span></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-size: x-small;">Photo Alice Mercier</span></span></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeVyBYNjRlwPWA-xxnZlJ7ufzw-FH8KXKiHbxj4pQYh4WnzUvxviaEf0OzmsmYZ36eIv_Syk__SxpAtaa0e9qBF2Qr9wjkkS-YbujxlrY5Sm2etgcG21sP05QXOATkHbV9WE4WB8KyzQ8/s1600/Jeannette%252C+fille+du+peintre+1913.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="570" data-original-width="441" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeVyBYNjRlwPWA-xxnZlJ7ufzw-FH8KXKiHbxj4pQYh4WnzUvxviaEf0OzmsmYZ36eIv_Syk__SxpAtaa0e9qBF2Qr9wjkkS-YbujxlrY5Sm2etgcG21sP05QXOATkHbV9WE4WB8KyzQ8/s400/Jeannette%252C+fille+du+peintre+1913.jpg" width="308" /></a></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-size: x-small;"> </span> </span>Jacques Barcat (1913)</div>
<div style="text-align: center;">
Jeannette, fille du peintre, à huit ans</div>
<div style="text-align: center;">
<span style="font-size: x-small;">Carton d'exposition</span><br />
<br />
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="font-size: x-small;"><span style="color: #073763;"><span style="font-size: large;">Comme on peut l'observer, le portrait en couleur, bien qu'il ait un grand besoin de restauration, est l'original de celui que j'ai présenté dans ce blog le 6 décembre 2009 et la photo d'exposition en blanc et noir avait été manipulée, retirant sur le cliché les doigts maternels qui nouaient le ruban des cheveux de la petite fille. Jacques Barcat, peintre naturaliste, était contre tout changement de sa perception de la realité sous son coup de pinceau. Je suis sûre qu'il n'a pas apprécié ce carton d'exposition.</span></span></span></div>
</div>
<div style="text-align: justify;">
<br />
<br /></div>
<div style="text-align: justify;">
</div>
<div style="text-align: justify;">
<span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #660000;">Como se puede observar, el retrato en color, aunque tenga una gran necesidad de restauración, es el original del que presenté en este blog el 6 de diciembre 2009 y la foto de exposición en blanco y negro había sido manipulada, quitando en el cliché los dedos maternales que anudaban el lazo de los cabellos de la niña. Jacques Barcat, pintor naturalista, estaba opuesto a todo cambio de su percepción de la realidad al reproducirla con el pincel. Estoy segura que él no apreció este cartón de exposición.</span></span></span></span><br />
<br />
<br />
<span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #660000;"><span style="color: black;">As it can be observed, the portrait in colour, even though it needs to be restored, is the original version that I posted on this blog last December 6, 2009, and the picture of the exhibition in black and white had been manipulated, removing in the cliché the maternal fingers lacing the bow of the girl’s hair. Jacques Barcat, naturalist painter, was opposed to every change on his perception of reality when reproducing it through his paint brush. I am sure that he did not appreciated this exhibition cardboard.</span></span></span></span></span><br />
<i><span style="font-size: large;">(Translation Cassandra Villalba)</span></i><br />
<br />
<br />
<span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #073763;">Anne Barcat (Nano)</span> </span></span></span></div>
irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-74078121394757877332019-09-04T15:13:00.001-07:002019-10-28T04:29:55.004-07:00Deux huiles signées Jacques Barcat d'un style très différent. Dos óleos firmados Jacques Barcat de un estilo muy diferente. Two oils by Jacques Barcat, in two very different styles.<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVDI66bPzdh4wmXsQ7Czu8-zxGiHIRWk2vXzyHpByzU0WSclSgVbWzHcuqwrdFr9pCB2AXYynbflTr3L8QxxkJjCfuPvqXD4LQ2oqpIwq6eTMBtAQZwW1dF4jd9frC3ibNbu1Vto8vO3U/s1600/20190805_160828_003+copia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1214" data-original-width="1600" height="302" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVDI66bPzdh4wmXsQ7Czu8-zxGiHIRWk2vXzyHpByzU0WSclSgVbWzHcuqwrdFr9pCB2AXYynbflTr3L8QxxkJjCfuPvqXD4LQ2oqpIwq6eTMBtAQZwW1dF4jd9frC3ibNbu1Vto8vO3U/s400/20190805_160828_003+copia.jpg" width="400" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
Jacques Barcat (non daté)</div>
<div class="separator" style="clear: both; text-align: center;">
Paysages champêtres au bord de l'eau</div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: x-small;">Huile </span><span style="font-size: x-small;">63,50 cm X 40,00 cm sans cadre</span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: x-small;">Photo Jean-Claude Peltier</span></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgScgSiUpm0oRm5gBqX3-EHuHvA3B1QN4JZqY4qpABmWxprXtTtnd1GaPrm3qY_tb8iM_HZE96ARaJ2NkG8c5CS9gLwbNAoeJkeutGiPZUFnOwA-SWFL7gujr1ps5uQl8-fQuVodU5YkBg/s1600/20190805_160511_003+copia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1485" data-original-width="1600" height="370" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgScgSiUpm0oRm5gBqX3-EHuHvA3B1QN4JZqY4qpABmWxprXtTtnd1GaPrm3qY_tb8iM_HZE96ARaJ2NkG8c5CS9gLwbNAoeJkeutGiPZUFnOwA-SWFL7gujr1ps5uQl8-fQuVodU5YkBg/s400/20190805_160511_003+copia.jpg" width="400" /></a></div>
<div style="text-align: center;">
<span style="font-size: small;">Jacques Barcat (années 30)</span></div>
<div style="text-align: center;">
<span style="font-size: small;">La cathédrale du Mans </span></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Huile 37 cm X 40 cm sans cadre</span></div>
<div style="text-align: center;">
<span style="font-size: x-small;"> Photo Jean-Claude Peltier </span><br />
<br />
<br /></div>
<div style="text-align: center;">
</div>
<div style="text-align: justify;">
</div>
<div style="text-align: justify;">
<span style="color: #073763;"><span style="font-size: large;"><span style="font-family: inherit;">Nous avons ici deux oeuvres de Jacques Barcat dont les photos m'ont été envoyées par une personne de la famille amie du Mans qui a connu mon grand-père et l'a vu peindre souvent. Ces huiles sont totalement différentes de style. <br />La première, qui représente une scène champêtre de l'ancien régime, est vraisemblablement un travail d'élève des Beaux-Arts à Paris, très certainement une copie. Sans doute, le nom de l’auteur est-il inscrit derrière la toile comme le font souvent les élèves qui copient et qui signent un travail qui les satisfait. <br />L’autre huile, qui nous décrit dans tous ses détails l'architecture gothique et romane de la belle cathédrale du Mans sur la Place des Jacobins au cours des années 30, est tout à fait du style naturaliste très personnel du peintre.</span></span></span></div>
<div style="text-align: justify;">
</div>
<div style="text-align: justify;">
</div>
<div style="text-align: justify;">
<br />
<br />
<span style="font-size: x-small;"><span style="font-family: inherit;"><span style="color: #0b5394;"><span style="font-size: large;"><span style="color: #660000;">Tenemos aquí</span> <span style="color: #660000;">dos obras de Jacques Barcat cuyas fotografías me fueron enviadas por una persona de la familia amiga de Le Mans que conoció a mi abuelo y le vio pintar a menudo. Estos dos óleos son totalmente diferentes de estilo.</span></span></span></span></span><br />
<span style="font-size: x-small;"><span style="font-family: inherit;"><span style="color: #0b5394;"><span style="font-size: large;"><span style="color: #660000;">El primero, que representa una escena campestre del antiguo regimen, es muy probablemente un trabajo de alumno de Bellas Artes en Paris, seguramente una copia. Sin duda el nombre del autor estará apuntado detrás del lienzo como lo suelen hacer los alumnos que copian y firman un trabajo que les satisface.</span></span></span></span></span><br />
<span style="font-size: x-small;"><span style="font-family: inherit;"><span style="color: #0b5394;"><span style="font-size: large;"><span style="color: #660000;">El otro óleo, que nos describe en todos sus detalles la arquitectura gótica y románica de la bella catedral de Le Mans en la Place des Jacobins durante los años 30, es totalmente del estilo naturalista muy personal del pintor.</span></span></span></span> </span></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div style="text-align: justify;">
</div>
<span style="font-size: large;">
</span><br />
<div style="text-align: justify;">
<span style="font-size: large;">Here, we have two works by Jacques Barcat, which were photographed and sent to me by someone from Le Mans whose family knew my grandfather and often saw him paint. These oils are stylistically very different from one another. </span><br />
<span style="font-size: large;">The first one, which represents a rural scene in the days of the Ancien Régime, is in all likelihood the work of a student at the Beaux Arts in Paris – most probably a copy. It is likely that the artist’s name is written on the back of the painting, as is often the case when students who have made a copy sign a work that they deem satisfactory.</span><br />
<span style="font-size: large;">The second oil, which shows every detail of the Gothic and Romanesque architecture of the beautiful cathedral of Le Mans, seen from the Place des Jacobins in the 1930s, is perfectly typical of the very personal, naturalistic style of the painter.<i> </i></span><br />
<span style="font-size: large;"><i>(Translation Charlotte Barcat)</i></span></div>
<br />
<span style="font-size: large;"><span style="color: #0b5394;">Anne Barcat </span></span>irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-2409583378626638302019-07-17T05:56:00.001-07:002020-04-01T03:35:43.550-07:00Paysage de la campagne sarthoise. Paisaje de la campiña de la Sarthe. Landscape in the country of Sarthe.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4h9uhl3qsfjC5eczTNTdpvhTFlbdFV83JkMlOsMb7jFkdYHHfVDYQrDt4l-avDvsqW8wDIjrnndgpVYKs1JnuiF89Xf9-ZZaF9PV2IOn4wYUQrmG5vV-yGtzDL-xjeLbGYuOkXp224eo/s1600/Paysage+de+la+campagne+sarthoise+0%252C59+x+0%252C80.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1226" data-original-width="1600" height="305" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4h9uhl3qsfjC5eczTNTdpvhTFlbdFV83JkMlOsMb7jFkdYHHfVDYQrDt4l-avDvsqW8wDIjrnndgpVYKs1JnuiF89Xf9-ZZaF9PV2IOn4wYUQrmG5vV-yGtzDL-xjeLbGYuOkXp224eo/s400/Paysage+de+la+campagne+sarthoise+0%252C59+x+0%252C80.JPG" width="400" /></a></div>
<div style="text-align: center;">
Jacques Barcat<br />
Paysage de la campagne sarthoise vers 1930 </div>
<div style="text-align: center;">
<span style="font-size: x-small;">Huile sur toile 59 cm x 80 cm</span></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Photo Peltier </span></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: justify;">
<span style="color: #073763;"><span style="font-size: large;"><span style="font-family: inherit;">Ce paysage de campagne sarthoise est une autre huile sur toile dont la photo m'a été envoyée par cet ami du Mans qui a connu mon grand-père dans son enfance et qui l'a accompagné dans ses promenades artistiques. L'oeuvre n'est pas datée, mais elle a été acquise par la famille Royer entre 1925 et 1939. Les couleurs dorées et fauves sont caractéristiques de cette région de France où l'on trouve des terrains sablonneux et de grandes chaleurs estivales.</span></span></span><br />
<br />
<br />
<span style="color: #073763;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #660000;">Este paisaje de campiña de la Sarthe es otro óleo sobre lienzo cuya fotografía me fue enviada por este amigo de Le Mans que conoció a mi abuelo en su infancia y le acompañó en sus paseos artísticos. La obra no tiene fecha, pero fue adquirida por la familia Royer entre 1925 y 1939. Los colores oro y rojizo son característicos de esta región de Francia en la que se encuentran terrenos arenosos y grandes calores estivales.</span></span></span></span><br />
<br />
<br />
<br />
<span style="font-size: large;"><span style="font-family: inherit;">This countryside landscape in la Sarthe is another oil on canvas which picture was sent to me by a friend from Le Mans that knew my grandfather during his infancy and accompanied him in his artistic walks. The painting is not dated, but it was acquired by the Royer family between 1925 and 1939. The gold and reddish colors are characteristic in this region of France were there are many sandy lands and great summer heats.</span></span><br />
<span style="color: #073763;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: black;"><span style="color: #660000;"><span style="color: black;"><span style="color: #073763;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: black;"><span style="color: #660000;"> </span></span></span></span></span>(<i>Translation Cassandra Villalba</i>) </span></span></span></span></span></span><br />
<br />
<span style="color: #073763;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: black;"><span style="color: #660000;"></span></span></span></span></span>
<span style="color: #073763;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: black;"><span style="color: #660000;"><span style="color: #073763;">Anne Barcat (Nano)</span></span></span> </span></span></span></div>
irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-40943868196363226402019-04-19T07:29:00.000-07:002019-07-14T14:54:56.332-07:00Pour la Semaine Sainte 2019. Para Semana Santa 2019. Easter 2019.<br />
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJx-EDiJsISXcZlarU6KWRdETXwRGy_8PAh2ytwul37pl4r_xNKgfP8902AbywMtZCeMQYGbLuTJmdfb_8BIX2XZFOCmAuaUWFiTZD8rKnCYELXyUG3xw0_EC9RKJnOzO8kogH0ojSHW0/s1600/DSCN2663.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1290" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJx-EDiJsISXcZlarU6KWRdETXwRGy_8PAh2ytwul37pl4r_xNKgfP8902AbywMtZCeMQYGbLuTJmdfb_8BIX2XZFOCmAuaUWFiTZD8rKnCYELXyUG3xw0_EC9RKJnOzO8kogH0ojSHW0/s400/DSCN2663.JPG" width="321" /></a></div>
<div style="text-align: center;">
</div>
<div style="text-align: center;">
Jacques Barcat <br />
Mort du Christ le Vendredi saint (vers 1930) </div>
<div style="text-align: center;">
<span style="font-size: x-small;">Huile sur toile avec cadre 33 cm x 27 cm</span></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Photo Peltier</span></div>
<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1pjqNGv2LLxTC0xYSOR_2pTY6mIaeGjGdXXWXcMwnXSbuveyswJSYu0GwvuZJ6ngKjJ22sqQ0CMUHKZQjONQH59mGExsbF_5-t3ON0xqWCIluU899rdULOELeT2C0BQzvo4aPayh-w3c/s1600/DSCN2636+2.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="977" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1pjqNGv2LLxTC0xYSOR_2pTY6mIaeGjGdXXWXcMwnXSbuveyswJSYu0GwvuZJ6ngKjJ22sqQ0CMUHKZQjONQH59mGExsbF_5-t3ON0xqWCIluU899rdULOELeT2C0BQzvo4aPayh-w3c/s640/DSCN2636+2.JPG" width="388" /></a></div>
<div style="text-align: center;">
</div>
<div style="text-align: center;">
Jacques Barcat<br />
Calvaire avec Marie-Madeleine au pied de la croix le Vendredi saint (non daté)</div>
<div style="text-align: center;">
<span style="font-size: x-small;">Huile sur toile 49 x 23</span></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Photo Peltier </span></div>
<br />
<br />
<div style="text-align: justify;">
<span style="color: #073763;"><span style="font-family: inherit;"><span style="font-size: large;">Comme je l'ai fait en d'autres occasions de la Semaine Sainte, je présente deux nouvelles oeuvres de mon grand-père qui se trouvent chez notre ami du Mans. Elles correspondent aux années 1930, époque de la crise économique où Jacques Barcat reçut plusieurs commandes de peintures de type religieux. Ces oeuvres démontrent bien qu'il était un artiste naturaliste qui n'aimait pas peindre d'imagination et pourtant il s'y était longuement entraîné, parfois avec succès. Je garde de nombreux dessins qui en sont la preuve. Ce visage de Christ, qui semble endormi presque avec le sourire dans la mort, est assez impressionnant. </span></span></span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="color: #073763;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #660000;">Como lo hice en otras ocasiones de la Semana Santa, presento dos nuevas obras de mi abuelo que se encuentran en casa de nuestro amigo de Le Mans. Corresponden a los años 1930, época de la crisis económica en la que Jacques Barcat recibía varios encargos de pinturas de tipo religioso. Estas obras demuestran que era un artista naturalista al que no le agradaba pintar de imaginación y, sin embargo, en ello se había entrenado largo tiempo, a veces con éxito. Guardo numerosos dibujos que lo demuestran. Este rostro de Cristo, que parece dormir casi sonriente en la muerte, es bastante impresionante. </span></span></span></span><br />
<br />
<span style="font-size: large;"><span style="font-family: inherit;">As I did it in other occasions during Easter, I hereby present two works by my grandfather that now are in the house of our friend in Le Mans. They correspond to the 30’s, a time of economical crisis in which Jacques Barcat received several orders of religious paintings. These works show that he was a naturalist artist who did not like painting with his imagination; however, he was well trained in this field for a long time, sometimes with success. I keep several drawings that show it. This Christ face, that seems to be sleeping while smiling in death, is quite amazing. </span></span><br />
<span style="font-size: large;"><span style="font-family: inherit;"><i>(Translation Cassandra Villalba)</i></span></span><br />
<br />
<span style="color: #073763;"><span style="font-size: large;"><span style="font-family: inherit;">Anne Barcat (Nano)</span></span></span></div>
irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-33675357301914290482019-04-09T06:11:00.000-07:002019-07-14T14:50:59.272-07:00Roger de Brun du Bois Noir en uniforme militaire pendant la Première Guerre Mondiale. Roger de Brun du Bois Noir de uniforme militar durante la Primera Guerra Mundial. Roger de Brun du Bois Noir attired in military uniform during World War I.<div class="separator" style="clear: both; text-align: center;">
</div>
<div style="text-align: center;">
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy6yMgmcpHMiZskjLEw8sWdmN6RrWM2Qf1TUi2-1a95EQfHBooa9v1fBCbQpM0mHya7ew-OoC_9pfJgcW9F5yjOu09lG_-UfVR0cwAZ8bPpb9W3uSVTC8m7oMvrL4DayFA800t0Pmwd8s/s1600/IMG_1677+3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1311" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy6yMgmcpHMiZskjLEw8sWdmN6RrWM2Qf1TUi2-1a95EQfHBooa9v1fBCbQpM0mHya7ew-OoC_9pfJgcW9F5yjOu09lG_-UfVR0cwAZ8bPpb9W3uSVTC8m7oMvrL4DayFA800t0Pmwd8s/s400/IMG_1677+3.jpg" width="327" /></a></div>
Jacques Barcat<br />
Roger de Brun du Bois Noir (1918)</div>
<div style="text-align: center;">
<span style="font-size: x-small;">Huile sur toile 33 x 40,5</span></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Photo Jean-Paul Lussiaà-Berdou</span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh70zo5FdcIV2P-dmm0T-7W4rMJ4B-1TOatoja8Q1_o8azQqEFhRrcUhhfoFYHeCf6V5_69Ju5TAIKePVrnNPAjDFAjKPIggorJSWfu5jQRTzo8V_30W7tlqX082yzLlOh2FRy8DfTlfHo/s1600/IMG_1677+4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1254" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh70zo5FdcIV2P-dmm0T-7W4rMJ4B-1TOatoja8Q1_o8azQqEFhRrcUhhfoFYHeCf6V5_69Ju5TAIKePVrnNPAjDFAjKPIggorJSWfu5jQRTzo8V_30W7tlqX082yzLlOh2FRy8DfTlfHo/s400/IMG_1677+4.jpg" width="312" /></a></div>
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div style="text-align: center;">
</div>
<div style="text-align: center;">
Jacques Barcat<br />
Roger de Brun du Bois Noir (1918)</div>
<div style="text-align: center;">
<span style="font-size: x-small;">Huile sur toile sans cadre</span></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Photo Jean-Paul Lussiaà-Berdou</span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="font-size: x-small;"> <span style="color: #073763;"><span style="font-size: large;">Ce beau portrait d'un jeune français mobilisé pendant la Première Guerre Mondiale est celui de Roger de Brun du Bois Noir, et la photo vient de m'être envoyée de la ville de Québec (Canada) par un membre de la famille de ce jeune homme qui fut médecin à Paris, bien qu'il soit né au Liban en 1891. Il avait donc environ 27 ans en 1918.</span></span></span></div>
<div style="text-align: justify;">
<span style="font-size: x-small;"><span style="color: #073763;"><span style="font-size: large;">Son père Hippolyte avait en effet accepté un poste de professeur à la Faculté de médecine de Beyrouth et il eut quatre fils, tous nés au Liban. Les trois aînés Pierre, Roger et Louis, qui avaient été mobilisés pendant la guerre de 1914-1918, se sont fait peindre en uniforme; mais je ne sais si chacun d'eux a posé pour Jacques Barcat, bien que mon grand-père dans sa jeunesse ait souvent travaillé pour plusieurs personnes de la même famille. Pierre et Roger furent médecins comme leur père, en France. Louis fut avocat et magistrat en France et au Maroc. Le patronyme “de Brun du Bois Noir” appartient à la noblesse française et remonte au XVème siècle. Il correspond à des maîtres-verriers du Languedoc et les privilèges royaux accordés par Charles VI dès le XIVème siècle à ce type d'artisanat permettront aux membres de la famille d'accéder par leur travail au statut nobiliaire.</span></span></span></div>
<div style="text-align: justify;">
<span style="font-size: x-small;"><span style="color: #073763;"><span style="font-size: large;">En ce qui concerne l'oeuvre de Jacques Barcat en elle-même, j'admire particulièrement le regard lumineux, noble et paisible d'un homme jeune, mobilisé dans une des guerres les plus atroces de tous les temps qui a fait 9,7 millions de morts pour les militaires et 8,9 millions pour les civils et où aucun des soldats qui y participaient ne savait s'il aurait même un lendemain. Je remercie la famille de l'avoir si bien conservé pendant plus d'un siècle, de me permettre de le mettre sur ce blog et de le faire connaître à tous.</span></span></span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="color: #660000;"><span style="font-size: x-small;"><span style="font-size: large;">Este bello retrato de un joven francés movilizado durante la Primera Guerra Mundial es el de Roger de Brun du Bois Noir, y la foto acaba de serme enviada desde la ciudad de Québec (Canada) por un miembro de la familia de este joven que fue médico en París, aunque haya nacido en Líbano en 1891. Por lo cual, él debía tener unos 27 años en 1918.</span></span></span></div>
<div style="text-align: justify;">
<span style="color: #660000;"><span style="font-size: x-small;"><span style="font-size: large;">Su padre Hippolyte, en efecto, había aceptado un puesto de profesor en la Facultad de medicina de Beyrouth y tuvo cuatro hijos, todos nacidos en Líbano. Los tres mayores Pierre, Roger et Louis que habían sido movilizados durante la guerra de 1914-1918, se hicieron retratar con su uniforme; pero no sé si cada uno de ellos posó para Jacques Barcat, aunque mi abuelo en su juventud haya trabajado frecuentemente para varias personas de la misma familia. Pierre y Roger fueron médicos como su padre, en Francia. Louis fue abogado y magistrado en Francia y en Marruecos. El apellido “de Brun du Bois Noir” pertenece a la antigua nobleza francesa del siglo XV. Corresponde a maestros del vidrio del Languedoc y los privilegios reales acordados por Charles VI desde el siglo XIV a este tipo de artesanado permitirán a los miembros de la familia acceder por su trabajo al estatuto nobiliario.</span></span></span></div>
<div style="text-align: justify;">
<span style="color: #660000;"><span style="font-size: x-small;"><span style="font-size: large;">En lo que concierne la obra de Jacques Barcat en si misma, admiro particularmente la mirada luminosa, noble y apacible de un hombre joven, movilizado en una de las guerras más atroces de todos los tiempos que hizo 9,7 millones de muertos para los militares y 8,9 millones para los civiles y en la cual ninguno de los soldados que participaban en ella sabía si tendría siquiera un día más de vida. Agradezco a la familia haberla conservado tan bien durante más de un siglo, permitirme ponerla en este blog y darla a conocer a todos.</span></span></span><br />
<br />
<br />
<span style="font-size: large;"><span style="font-family: inherit;">This lovely portrait of a young French man mobilised during World War I is that of Roger de Brun du Bois Noir, and the picture has just been sent to me from Québec (Canada) by a member of his family. He was a doctor in Paris, even though he was born in Lebanon in 1891. Therefore, he was around 27 years old in 1918.<br />His father Hippolyte, indeed, had accepted a teacher position in the School of Medicine in Beyrouth and had four children. All of them were born in Lebanon. The three elder children, Pierre, Roger and Louis that were mobilised during the war between 1914 and 1918 were painted with their uniforms; but I do not know if each of them posed for Jacques Barcat, even though my grandfather, during his youth, had worked frequently for several people of the same family. Pierre and Roger were both doctors like their father, in France. Louis was a lawyer and judge in France and Morocco. The name of “de Brun du Bois Noir” belongs to the old French Nobility in the 15th Century. It corresponds to glass masters from Languedoc and the royal privileges agreed by Charles VI from the 14th Century to this kind of craftsmanship will enable the members of the family to access by their work to the noble status.<br />Concerning the work of Jacques Barcat in itself, I particularly admire the dazzling, noble and peaceful glance of a young man, mobilised during one of the most atrocious wars of all times, resulting in 9,7 millions of dead soldiers and 8,9 millions of dead civils, in which every soldier participating in this war did not know if he would be one more day living. I thank the family for having preserved in good condition this portrait for over a century, allowing me to show it in this blog in order to make it known for everyone.</span></span><br />
<span style="font-size: large;"><span style="font-family: inherit;"><i>(Translation Cassandra Villalba)</i></span></span><br />
<br />
<span style="color: #660000;"><span style="font-size: x-small;"><span style="font-size: large;"><span style="color: #073763;">Anne Barcat</span> </span></span></span></div>
irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-41943446114698111482019-03-30T06:04:00.001-07:002019-07-17T05:50:48.805-07:00L'homme et le chien. El hombre y el perro. The man and the dog.<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-04TBQ5QR-ASFO1y8Gy6u7fWkuyo_R2nDuhcdS3Ue7_l1-w3e8pK82Ak5NaF3IBQRKzcIFw6QHTxh33DIzWDPhBCQ4SpOpA-tIEGPCxjRJHBXcQfE-eLK9FJq08YGdUfT46LO0DY4DUE/s1600/P1220036+L%2527homme+et+le+chien+1928+-+81+x+65.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1282" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-04TBQ5QR-ASFO1y8Gy6u7fWkuyo_R2nDuhcdS3Ue7_l1-w3e8pK82Ak5NaF3IBQRKzcIFw6QHTxh33DIzWDPhBCQ4SpOpA-tIEGPCxjRJHBXcQfE-eLK9FJq08YGdUfT46LO0DY4DUE/s400/P1220036+L%2527homme+et+le+chien+1928+-+81+x+65.jpg" width="320" /></a></div>
<div style="text-align: center;">
</div>
<div style="text-align: center;">
<span style="font-size: small;">Jacques Barcat</span><br />
<span style="font-size: small;"> </span><span style="font-size: small;">L'homme et le chien (1928)</span></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Huile sur toile 81 x 65</span></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Photo Peltier </span></div>
<br />
<br />
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="color: #073763; font-size: large;">Ce tableau a été photographié chez cet ami retrouvé au Mans. C'est une huile sur toile signée par mon grand-père et datée de 1928, mais je ne sais qui est cet homme mangeant sa soupe dans la cuisine, avec le chien qui le regarde sans doute dans l'espoir d'un petit reste. Il s'agit vraisemblablement d'une ferme des environs du Mans où l'on permet aux poules de picorer avec leurs poussins les miettes tombées sous la table. C'est une belle scène d'intérieur, intimiste, où l'ombre et la lumière jouent un rôle important de contraste. Ce travail me rappelle la peinture de Vermeer où le jour d'une petite fenêtre illumine toute une sombre chambre d'habitation à travers un simple rideau.</span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="color: #073763; font-size: large;"><span style="color: #660000;">Este cuadro fue fotografiado en casa de este amigo reencontrado en Le Mans. Es un óleo sobre lienzo firmado por mi abuelo y fechado en 1928, pero no sé quién es este hombre que come su sopa en la cocina, con el perro mirándole y esperando sin duda un pequeño resto. Se trata seguramente de una granja de los alrededores de Le Mans donde se permite a las gallinas picotear con sus pollitos las migas caídas debajo de la mesa. Es una bella escena de interior, intimista, donde la sombra y la luz juegan un importante papel de contraste. Este trabajo me recuerda la pintura de Vermeer en la cual la apertura de una ventana ilumina todo un oscuro cuarto de vivienda a través de una sencilla cortina. </span></span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="color: #073763; font-size: large;"><span style="color: #660000;"><span style="color: black;">This painting was photographed in the house of this friend found in Le Mans. It is an oil on canvas signed by my grandfather and dated 1928, but I do not know who is the man eating his soup in the kitchen, while the dog looking at him, waiting, undoubtedly, a little leftover. It is surely a farm around Le Mans, where hens are allowed to peck with their little chickens the crumbs fallen under the table. It is a lovely interior scene, intimist, where the shadow and light play an important role of contrast. This work reminds me the Vermeer’s portrait in which the opening of a window illuminates an all dark living room through a simple curtain. </span></span></span></div>
<div style="text-align: justify;">
<span style="color: #073763; font-size: large;"><span style="color: #660000;"><span style="color: black;"><i>(Translation Cassandra Villalba)</i></span></span></span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="color: #073763; font-size: large;"><span style="color: #660000;"><span style="color: black;"><span style="color: #073763;">Anne Barcat</span><span style="color: #073763;"> (Nano)</span></span> </span></span></div>
<br />irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-86725036157096724362018-12-30T15:47:00.000-08:002019-04-13T12:24:22.934-07:00Échouement. Encallamiento. Grounding.<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEithio1Jct3nRD4W9ZTH3YLG12GOKZa1Tr5Jwb5snHktI59_h8zxqLdr4qsxKWd_2nsMPFZZMdIFV5lpK2RSZMpAWRRFgSVaGG5Maq4peMF8clk-BRXaMkFNHFXDfmy0wlSihZsH7hdiVQ/s1600/DSCN2654+2.JPG" imageanchor="1"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEithio1Jct3nRD4W9ZTH3YLG12GOKZa1Tr5Jwb5snHktI59_h8zxqLdr4qsxKWd_2nsMPFZZMdIFV5lpK2RSZMpAWRRFgSVaGG5Maq4peMF8clk-BRXaMkFNHFXDfmy0wlSihZsH7hdiVQ/s400/DSCN2654+2.JPG" width="400" /></a></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<i>Le naufrage</i>, copie de l'original "Échouement" de Jules Noël par Jacques Barcat</div>
<div style="text-align: center;">
<span style="font-size: x-small;">Huile sur toile 81 cm x 60 cm</span></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Photo Peltier</span></div>
<div style="text-align: center;">
<br />
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiulRTGxAbOyS7k1n9llor_-lKvLX20G2sLeeiovyuda7jrK6pFQkLSLcnTg-sX8D4jT_ihDUueYJifmyYKWIpbAh4ZxP_V_EfuJ0CH45GnHe1wV0tNckJA7zdFKa5veuveDJQ6n5EJZSY/s1600/DSCN2654.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1244" data-original-width="738" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiulRTGxAbOyS7k1n9llor_-lKvLX20G2sLeeiovyuda7jrK6pFQkLSLcnTg-sX8D4jT_ihDUueYJifmyYKWIpbAh4ZxP_V_EfuJ0CH45GnHe1wV0tNckJA7zdFKa5veuveDJQ6n5EJZSY/s400/DSCN2654.JPG" width="236" /></a></div>
<div style="text-align: center;">
</div>
<div style="text-align: center;">
"D'après Jules Noël"</div>
<div style="text-align: center;">
copié par Jacques Barcat</div>
<div style="text-align: center;">
<span style="font-size: x-small;">Photo Peltier</span> </div>
<div style="text-align: center;">
<br />
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRcpaaTwyhrmEVUyVGsHxDljec6ToDWCDxIOIyQKnU1G5QR4fMYOzUHhnaPwSIbgcSeWPWkEh0t05k-DFBUCEXxz8FaIrpwLerQ0krReyrugaNTEAa1pUVRtFO5V_xUk_i8YyJMI0gGY0/s1600/Copie+de+E%25CC%2581chouement+de+Jules+Noe%25CC%2588l+par++Jacques+Barcat+%2528de%25CC%2581tail%2529.JPG" imageanchor="1"><img border="0" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRcpaaTwyhrmEVUyVGsHxDljec6ToDWCDxIOIyQKnU1G5QR4fMYOzUHhnaPwSIbgcSeWPWkEh0t05k-DFBUCEXxz8FaIrpwLerQ0krReyrugaNTEAa1pUVRtFO5V_xUk_i8YyJMI0gGY0/s400/Copie+de+E%25CC%2581chouement+de+Jules+Noe%25CC%2588l+par++Jacques+Barcat+%2528de%25CC%2581tail%2529.JPG" width="400" /></a></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<i>Le naufrage</i> "d'après Jules Noël" par Jacques Barcat </div>
<div style="text-align: center;">
<span style="font-size: x-small;">Huile sur toile (détail)</span></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Photo Anne Barcat </span></div>
<div style="text-align: center;">
<br />
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvnNzaDo49Sq9K0Vsi5bJjrg7v_NqjgH_9q7ALPZ4-oXazxkT6t1KAwdnfawhC2IE2xTWsJFirywrt34sXtOwL1UggaZtbKuHpw1oRIMRW5z7qSwYNkZt1wfU5K-gDvvoaidmcbym15_4/s1600/Landing-Jules-Noel-Oil-Painting.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="547" data-original-width="800" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvnNzaDo49Sq9K0Vsi5bJjrg7v_NqjgH_9q7ALPZ4-oXazxkT6t1KAwdnfawhC2IE2xTWsJFirywrt34sXtOwL1UggaZtbKuHpw1oRIMRW5z7qSwYNkZt1wfU5K-gDvvoaidmcbym15_4/s400/Landing-Jules-Noel-Oil-Painting.jpg" width="400" /></a></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<i>Échouement </i> oeuvre originale par Jules Noël</div>
<div style="text-align: center;">
<div style="text-align: center;">
<span style="font-size: x-small;">Huile sur toile 45 cm x 30 cm</span></div>
<div style="text-align: center;">
<span style="font-size: x-small;"> Collection privée</span></div>
<br />
<br />
<div style="text-align: justify;">
<span style="color: #0b5394;"><span style="color: #073763;"><span style="font-family: inherit;"><span style="font-size: large;">Ce tableau représente l’échouement d’un ou deux navires lancés par les vagues sur les rochers d’une plage et il me semblait impossible qu’il ait été peint d’après nature par un artiste naturaliste tel que mon grand-père qui peignait ce qu’il voyait. La peinture se trouvait chez cet ami rencontré au Mans, mais nous avons tardé à découvrir le mystère du tableau intitulé <i>Le naufrage</i> par la famille. Il fallut déchiffrer, au-dessus de la signature de Jacques Barcat, qu’il était écrit: <i>D’après Jules Noël</i>. Il s’agit bien en effet d’une copie de l’huile sur toile intitulée <i>Échouement</i> du grand peintre Jules Achille Noël. Cet artiste breton était très spécialisé dans les thèmes maritimes de Bretagne et de Normandie. Personne ne sait où Jacques Barcat a pu contempler, pour en faire une copie, ce beau tableau qui longtemps a fait partie d’une collection privée.</span></span></span></span><br />
<br />
<br />
<span style="color: #660000;"><span style="color: #073763;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #741b47;">Este cuadro representa el encallamiento de uno o dos barcos azotados por las olas sobre las rocas de una playa y me parecía impossible que lo haya pintado impasible un artista naturalista como mi abuelo que pintaba lo que veía. La pintura estaba en casa de este amigo encontrado en Le Mans, pero hemos tardado en descubrir el misterio del cuadro llamado <i>El naufragio</i> por la familia. Encima de la firma de Jacques Barcat, hubo que descifrar que estaba escrito: <i>Según Jules Noël</i>. Se trataba efectivamente de una copia del óleo titulado <i>Encallamiento</i> del gran pintor Jules Achille Noël. Este artista bretón era muy especializado en los temas marítimos de Bretaña y Normandía. Nadie sabe donde Jacques Barcat pudo contemplar, para hacer de él una copia, este bonito cuadro que mucho tiempo estuvo en una colección privada.</span></span></span></span></span><br />
<br />
<br />
<span style="color: #073763;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #741b47;"><span style="color: black;">This painting represents the grounding of one or two boats lashed by the waves against the rocks on a beach, and it seemed impossible to me that an impassible naturalist artist as my grandfather was painted it, as he used to paint what he saw. This painting was in the house of this friend that I found in Le Mans, but it took us time to discover the mystery of the painting called <i>The wreck</i> by the family. What was written on top of Jacques Barcat’s signature had to be deciphered: <i>According to Jules Noël</i>. It was indeed a copy of the oil on canvas entitled <i>Grounding</i> by the great painter Jules Achille Noël. This Breton artist was specialist in maritime matters of Brittany and Normandy. Nobody knows where Jacques Barcat could contemplate, so as to make a copy of it, this beautiful painting that was for a long time in a private art collection.</span></span></span></span></span><br />
<span style="color: #073763;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #741b47;"><span style="color: black;">(<i>Translation Cassandra Villalba</i>) </span></span></span></span></span><br />
<br />
<span style="color: #073763;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #741b47;"><span style="color: #0b5394;">Anne Barcat (Nano) </span></span></span></span></span><br />
<span style="color: #073763;"><span style="font-family: inherit;"><span style="font-size: large;"></span></span></span><br /></div>
</div>
<div style="text-align: center;">
</div>
<div style="text-align: center;">
</div>
irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-54420333949582460962018-08-26T04:12:00.000-07:002019-07-14T14:44:17.039-07:00Plage de Saint Énogat à Dinard. Playa de Saint Énogat en Dinard. Saint Énogat beach in Dinard.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPwf1gQyPeuq_8G0U-nVQJ07F83ZGBIWX_IbKVnXXVs_61plbh6XmYS6veE-_XUvi8IkIHxgobO8qxfccXEISHVAJlDVjepTZ0yC4iJF0Qvtyc66MGjIScVu3KXOrXkE8U7rU7Fy7zLb4/s1600/DSCN2669.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1233" data-original-width="1600" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPwf1gQyPeuq_8G0U-nVQJ07F83ZGBIWX_IbKVnXXVs_61plbh6XmYS6veE-_XUvi8IkIHxgobO8qxfccXEISHVAJlDVjepTZ0yC4iJF0Qvtyc66MGjIScVu3KXOrXkE8U7rU7Fy7zLb4/s400/DSCN2669.JPG" width="400" /></a></div>
<div style="text-align: center;">
</div>
<div style="text-align: center;">
<span style="font-size: small;">Jacques Barcat</span><br />
<span style="font-size: small;"><span style="font-size: small;">Plage de Saint Énogat à Dinard (1939)</span> </span></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-size: x-small;">Huile sur toile 23 cm x 19 cm</span></span><br />
<span style="font-size: small;"><span style="font-size: x-small;">Photo Peltier </span></span><br />
<br />
<br />
<br />
<div style="text-align: justify;">
<span style="color: #0b5394;"><span style="color: #073763;"><span style="font-size: small;"><span style="font-size: x-small;"><span style="font-size: large;"><span style="font-family: inherit;">De la même famille amie, <span style="font-family: inherit;"> </span></span></span><span style="font-size: large;"><span style="font-family: inherit;">nous avons le plaisir de voir ici madame Royer, assise le dos à la mer, dans son fauteuil de plage, occupée à coudre ou à broder, surveillant du coin de l'oeil son neveu encore bien petit qui joue au sable avec un seau et une pelle. C'est l'été 1939, peu avant la déclaration de la 2ème Guerre Mondiale. Jacques Barcat et sa femme Alice avaient été invités par leurs amis Royer à passer quelques jours avec eux au bord de la mer en Bretagne.</span></span></span></span></span></span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="color: #660000;"><span style="font-size: x-small;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #741b47;">De la misma familia amiga, tenemos el placer de ver aquí a la señora Royer, sentada de espalda al mar, en su butaca de playa, entretenida en coser o bordar, vigilando de soslayo a su sobrino de corta edad que juega con la arena, un cubo y una pala. Es el verano de 1939, poco antes de la declaración de la 2ª Guerra Mundial. Jacques Barcat y su mujer Alice habían sido invitados por sus amigos Royer a pasar algunos días con ellos en el borde del mar en Bretaña.</span></span></span></span></span> </span></div>
</div>
<div style="text-align: center;">
<br /></div>
<br />
<div style="text-align: justify;">
<span style="font-size: large;"><span style="font-family: inherit;">Also from our friends of the Royer family, here we have the pleasure of seeing Mrs Royer, sitting in her beach chair with her back to the sea. She is busy with her sewing or needlework, but keeps an eye on her nephew, who is still very young and is playing in the sand with a spade and a bucket. The scene takes place in the summer of 1939, not long before the outbreak of the Second World War. Jacques Barcat and his wife Alice had been invited by their friends of the Royer family to spend a few days with them by the sea in Brittany.</span></span></div>
<div style="text-align: justify;">
<span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #741b47;"><span style="color: #741b47;"><span style="color: black;">(<i>Translation: Charlotte Barcat</i>) </span></span></span></span></span></span>
</div>
<div style="text-align: justify;">
<span style="font-family: inherit;"><span style="font-family: "times" , "times new roman" , serif;"><span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #741b47;"><span style="color: #741b47;"> </span></span></span></span></span></span></span><span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #741b47;"><span style="color: #741b47;"><span style="font-family: inherit;"><span style="color: black;"><i> </i></span></span> </span></span></span></span></span></div>
<span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;">Anne Barcat (Nano)</span></span></span><br />
<br />irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-16807824025483160692018-08-21T04:44:00.000-07:002019-07-14T14:42:29.714-07:00Portrait de Georges Royer en costume de chasse. Retrato de Georges Royer en traje de caza. Portrait of George Royer in hunter’s costume.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYZRtEGDlD-UQx7tqexbOMffc0An7U0J3lGki2estZSk_oE5yN9LjC-kt9RXSppMoqzxyAO_fz8wFCbah51M8c1JoUIJa6dR0lxvfd9qtKRCYiVMxQd-kssKzzzGmtX8AigP0CrG16Vh8/s1600/DSCN2668.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1273" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYZRtEGDlD-UQx7tqexbOMffc0An7U0J3lGki2estZSk_oE5yN9LjC-kt9RXSppMoqzxyAO_fz8wFCbah51M8c1JoUIJa6dR0lxvfd9qtKRCYiVMxQd-kssKzzzGmtX8AigP0CrG16Vh8/s400/DSCN2668.jpg" width="318" /></a></div>
<div style="text-align: center;">
</div>
<div style="text-align: center;">
<span style="font-size: small;">Jacques Barcat </span><br />
<span style="font-size: small;"><span style="font-size: small;"><span style="font-family: inherit;">Portrait de Georges Royer en costume de chasse </span></span></span><span style="font-size: small;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;">(1930)</span></span></span></span></div>
<div style="text-align: center;">
<span style="font-size: x-small;"><span style="font-family: inherit;">Huile sur toile 26 cm x 22 cm</span></span></div>
<div style="text-align: center;">
<span style="font-size: x-small;"><span style="font-family: inherit;">Photo Peltier</span></span></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: justify;">
<span style="color: #073763;"><span style="color: #073763;"><span style="font-size: large;"><span style="font-family: inherit;">Ce portrait m'a été envoyé par un monsieur qui, dès son enfance, a connu la famille de mon grand-père. En de nombreuses occasions, il l'a accompagné dans ses promenades artistiques avec son chevalet. Leurs familles réciproques étaient très amies et, dans la sienne, on conserve une quinzaine d'oeuvres de Jacques Barcat. Cherchant des descendants de l'artiste au Mans, il s'est dirigé vers le Musée de Tessée où on lui a parlé d'une de ses petites-filles qui habitait à Madrid et qui, après avoir écrit un article sur son grand-père en 2005 dans la revue <i>Maine Découvertes</i> pour les 50 ans de la mort du peintre, avait ouvert un blog sur Jacques Barcat et ses oeuvres en 2009. Grâce à cette information, il a pu entrer en contact avec moi par e-mail et je m'en réjouis, car ce monsieur a pu m'envoyer des photos de nombreux tableaux avec leurs dimensions, mais aussi partager des souvenirs qui sont restés totalement ignorés dans la famille.<br />Le portrait ici présenté est celui d'un des amis de l'artiste, à son retour de la chasse. </span></span></span></span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="color: #660000;"><span style="color: #741b47;"><span style="font-size: large;"><span style="font-family: inherit;">Este retrato me ha sido enviado por un señor que, desde su infancia, ha conocido la familia de mi abuelo. En numerosas ocasiones, él le acompañó en sus paseos artísticos con su caballete. Sus familias reciprocas, Barcat y Royer, eran muy amigas y, en la suya, se conservan unas quince obras de Jacques Barcat. Buscando descendientes del artista en Le Mans, se dirigió hacia el Museo de Tessé donde se le habló de una de sus nietas que vivía en Madrid y que, después de haber escrito un artículo sobre su abuelo en 2005 en la revista <i>Maine Découvertes</i> para los 50 años de la muerte del pintor, había abierto un blog sobre Jacques Barcat y sus obras en 2009. Gracias a esta información, él ha podido entrar en contacto conmigo por e-mail y me alegro de ello, pues esto le ha permitido enviarme fotos de numerosos cuadros con sus dimensiones, pero también de compartir recuerdos que quedaban completamente ignorados en la familia.<br />El retrato aquí presentado es el de uno de los amigos del artista, Georges Royer, a su vuelta de la caza, en 1930.</span></span></span></span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="color: #741b47;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: black;"><span style="font-family: inherit;">This portrait was sent to me by a gentleman who had known my grandfather’s family since childhood. On many occasions, he accompanied my grandfather when he went on his artistic strolls with his easel. Their families, Barcat and Royer, were on very friendly terms and his family have kept about fifteen of Jacques Barcat’s works in their possession. As he was looking for descendants of the artist in Le Mans, this gentleman went to the Tessé museum, where he heard about one of the artist’s granddaughters who lived in Madrid. He was told that, after writing an article about her grandfather in the <i>Maine Découvertes</i> journal in 2005 on the 50th anniversary of the painter’s death, she had started a blog devoted to Jacques Barcat and his works in 2009. Thanks to this information, he was able to contact me by email, which made me very happy, as this allowed him not only to send me photographs of many paintings with their dimensions, but also to share many memories which had previously been unknown to the family. <br />The portrait presented here depicts one of the artist’s friends, Georges Royer, coming home from a hunt in 1930.</span></span></span></span></span></div>
<span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #741b47;"><span style="color: #741b47;"><span style="color: black;">(<i>Translation: Charlotte Barcat</i>) </span></span></span></span></span></span>
<br />
<span style="font-family: inherit;"><span style="font-family: "times" , "times new roman" , serif;"><span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #741b47;"><span style="color: #741b47;"> </span></span></span></span></span></span></span><span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #741b47;"><span style="color: #741b47;"><span style="font-family: inherit;"><span style="color: black;"><i> </i></span></span> </span></span></span></span></span><br />
<span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;">Anne Barcat (Nano)</span></span></span><br />
<span style="color: #073763;"><span style="font-size: large;"><span style="font-family: inherit;"><br /></span></span></span>irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-33230161386304494022018-06-09T12:51:00.000-07:002019-07-14T14:39:16.685-07:00Portrait d'un militaire de la 1ère guerre mondiale. Retrato de un militar de la 1ª Guerra Mundial. Portrait of a WWI soldier.<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgw7yPSQbK81ALrL_Lhcdj84GvacSM5I0VW42TRTLb5A9R0tRyKhUbNKtZdSEFjqYGKYSUyW-dqsSYBNSYwKsrGts-HI9rmIRIwh5lAuJAGbdd3XLMM3SqaTDg-92nx9A7x8W5qKSURq4Y/s1600/Portrait+d%2527un+officier+1916+par+Jacques+Barcat+Photo+Benoi%25CC%2582t+Goupil.jpg" imageanchor="1"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgw7yPSQbK81ALrL_Lhcdj84GvacSM5I0VW42TRTLb5A9R0tRyKhUbNKtZdSEFjqYGKYSUyW-dqsSYBNSYwKsrGts-HI9rmIRIwh5lAuJAGbdd3XLMM3SqaTDg-92nx9A7x8W5qKSURq4Y/s400/Portrait+d%2527un+officier+1916+par+Jacques+Barcat+Photo+Benoi%25CC%2582t+Goupil.jpg" width="291" /></a></div>
<div style="text-align: center;">
</div>
<div style="text-align: center;">
Jacques Barcat<br />
Portrait d'un militaire (1916) </div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: x-small;">Huile sur bois 27 x 35</span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: x-small;">Photo Benoît Goupil</span></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: justify;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBwb9dMu9S5k5FSAGgCTu_nfrImTToR8CYSO1mCP_B_7gbCmPTAhdAhKgyc5cK9WaaXAp4p30Kln0zDxjKwZ0mnfY0bO1sfDaHHup4pr_uZ-_CuaEUEeHeC7pFMaT8jdkpEfhjXa2nFJk/s1600/SIGNATURE+J.+BARCAT+2.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="376" data-original-width="1031" height="145" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBwb9dMu9S5k5FSAGgCTu_nfrImTToR8CYSO1mCP_B_7gbCmPTAhdAhKgyc5cK9WaaXAp4p30Kln0zDxjKwZ0mnfY0bO1sfDaHHup4pr_uZ-_CuaEUEeHeC7pFMaT8jdkpEfhjXa2nFJk/s400/SIGNATURE+J.+BARCAT+2.JPG" width="400" /></a></div>
<div style="text-align: center;">
Signature de Jacques Barcat et date de 1916</div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div style="text-align: center;">
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGlCOlwxSWM17oA1HJYvfT9pd1VigpnWLbRszK5TTLepGxTjJCOcnr2Hbw50MejNFaJGCV-klf6zaNI5ReJd04UTL4h6IUBumE56viBioYd_NF1u7kM0sIdMfHtd1pn3I9jT-_iVc_QXU/s1600/De%25CC%2581tail+au+dos.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="760" data-original-width="1600" height="190" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGlCOlwxSWM17oA1HJYvfT9pd1VigpnWLbRszK5TTLepGxTjJCOcnr2Hbw50MejNFaJGCV-klf6zaNI5ReJd04UTL4h6IUBumE56viBioYd_NF1u7kM0sIdMfHtd1pn3I9jT-_iVc_QXU/s400/De%25CC%2581tail+au+dos.jpg" width="400" /></a></div>
Détails au dos de la tablette en bois<br />
"Hesdigueul-lez-Boulogne"<br />
"P. de C."<br />
"Juin 1916"<br />
<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU6dGARpkHpif9gWHkXuxyZigNarUJJBU88oVBO1s-VnCAPSkGUjThLI8Zf15DBj5gw0oRjPDRUmAk4QmD86G6vAb05MCAyCS1ajxyqhpvvaG_7FMmWRmunfDENYvrpttJ45AQAUfxUQs/s1600/Carnet+Militaire+Jacques+Barcat+3.jpeg" imageanchor="1"><img border="0" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU6dGARpkHpif9gWHkXuxyZigNarUJJBU88oVBO1s-VnCAPSkGUjThLI8Zf15DBj5gw0oRjPDRUmAk4QmD86G6vAb05MCAyCS1ajxyqhpvvaG_7FMmWRmunfDENYvrpttJ45AQAUfxUQs/s400/Carnet+Militaire+Jacques+Barcat+3.jpeg" width="400" /></a></div>
Livret militaire de Jacques Barcat pendans la première guerre mondiale 14-18<br />
<br />
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<br />
<span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #073763;"><span style="color: #073763;">Ce
portrait d'un militaire a été réalisé, à Hesdigneul-lez-Boulogne, par Jacques Barcat, pendant sa
mobilisation en régiment d'Infanterie, au mois de juin de 1916.
Il semble que le peintre ait utilisé, en guise de support, une porte de consigne de vestiaire
cassée, car le panneau de bois indique le nº 5, tout comme le
képi du militaire. Mais je ne sais à quoi correspond ce numéro;
peut-être s'agit-il de son bataillon. La famille de Jacques Barcat
semble avoir ignoré le déplacement </span></span></span></span></span></span></span></span><span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #073763;"><span style="color: #073763;"><span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #073763;"><span style="color: #073763;">du peintre </span></span></span></span></span></span></span></span>dans le Pas de Calais, près de
Boulogne-sur-mer, sa mobilisation ayant duré du 3 août 1914 à février
1919, avec de nombreux autres stationnements et quelques permissions
intermédiaires. Son livret militaire ne contient aucune annotation
concernant 1916. L’artiste ne cessait de peindre ou de dessiner
dans ses moments d’oisiveté.</span></span></span></span></span></span></span></span><br />
<span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #073763;"><span style="color: #073763;">Ce portrait appartenait à une
française qui m'a écrit pour m'envoyer les photos du tableau
et des détails inscrits derrière lui. Comme elle ne connaissait pas l’identité du militaire en question, elle m’a gentiment proposé de donner
le portrait à la famille et j’ai accepté, demandant qu’on le fasse parvenir chez
mon neveu et filleul. Ce dernier l’a bien reçu et en a refait de nouvelles
photos. Nous sommes très reconnaissants de la générosité de cette dame.</span></span></span></span></span></span></span></span><br />
<span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #073763;"><span style="color: #073763;">Qui était ce militar? Cela reste un mystère.</span></span></span></span></span></span></span></span><br />
<br />
<span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #741b47;"><br /><span style="color: #741b47;">Este retrato de un militar fue realizado, en Hesdigneul-lez-Boulogne, por Jacques Barcat, durante su movilización en regimiento de Infantería, en junio de 1916. Parece que el pintor haya usado, para soporte, una puerta rota de la consigna del vestuario, pues el panel de madera indica el nº 5, como el quepi del militar. Pero no sé a que corresponde este número; tal vez se trate de su batallón. La familia de Jacques Barcat parece ignorar el desplazamiento del pintor en el Pas de Calais, cerca de Bologne-sur-mer, su movilización habiendo durado desde el 3 de agosto 1914 hasta febrero 1919, con numerosos otros estacionamientos y algunos permisos intermediarios. Su libreta militar no ofrece ninguna anotación que se refiera a 1916. El artista no cesaba de pintar o dibujar en sus momentos de ocio.<br /><span style="font-family: inherit;">Este retrato pertenecía a una francesa que me escribió para enviarme fotos del retrato y de los detalles anotados en el dorso. Como ella no conocía la identidad del militar, me propuso amablemente regalar el retrato a la familia y acepté, pidiendo que sea entregado a mi sobrino y ahijado. Él lo recibió en perfecto estado, haciendo nuevas fotos. Estamos muy agradecidos de la generosidad de esta señora.</span></span></span></span></span></span><br />
<span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #741b47;"><span style="color: #741b47;">¿Quién era este militar? Esto sigue siendo un misterio.</span></span></span></span></span><br />
<br />
<br />
<span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #741b47;"><span style="color: #741b47;"><span style="color: black;">This portrait of a soldier was painted by Jacques Barcat in Hesdigneul-lez-Boulogne, where he was stationed with an infantry regiment in June 1916. The painter seems to have painted this on a broken locker door, as the number 5 is written on the wooden panel, as well as on the soldier’s cap. I do not know, however, what this number refers to – it may have been his battalion. Jacques Barcat’s family seems to have been unaware that he had spent time in the Pas-de-Calais area, near Boulogne-sur-Mer, as his mobilization lasted from August 3rd 1914 to February 1919, with many other postings and a few periods spent on leave. No annotations can be found regarding the year 1916 in his military record. The artist never stopped painting or drawing whenever he wasn’t otherwise occupied.</span></span></span></span></span></span><br />
<span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #741b47;"><span style="color: #741b47;"><span style="color: black;">This portrait belonged to a French lady who wrote to me and sent photographs of the painting and of the words written behind it. As she did not know who the soldier in question was, she kindly offered to give the portrait to the family and I accepted, asking for it to be delivered at my nephew and godson’s home. My nephew did receive the painting and took more photographs of it. We are very grateful to this lady for her generosity. <br />Who might this soldier have been? His identity remains a mystery.</span></span></span></span></span></span><br />
<span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #741b47;"><span style="color: #741b47;"><span style="color: black;">(<i>Translation: Charlotte Barcat</i>) </span></span></span></span></span></span>
<br />
<span style="font-family: inherit;"><span style="font-family: "times" , "times new roman" , serif;"><span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #741b47;"><span style="color: #741b47;"> </span></span></span></span></span></span></span><span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #741b47;"><span style="color: #741b47;"><span style="font-family: inherit;"><span style="color: black;"><i> </i></span></span> </span></span></span></span></span><br />
<span style="color: #0b5394;"><span style="font-size: large;"><span style="font-family: inherit;">Anne Barcat (Nano)</span></span></span></div>
</div>
irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-23881009593185296042017-09-15T11:22:00.000-07:002019-03-30T08:03:00.877-07:00Chez le barbier. En la barbería. In the barber shop.<div class="separator" style="clear: both; text-align: center;">
</div>
<div style="text-align: center;">
<span id="goog_18814862"></span><span id="goog_18814863"></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPCB8tGeNxG_hZ2_jp0g-yM31oeR1GMCt3PqUpRgmgXQ3Pdy01R1wepco8UT6OBMFfJqS35Vf1SQd-uAJ1bgp9EbKjeeaG_Szvpt-neimH48oTehyphenhyphenqUp_jN5miBaKdBayrboNkFxMlxJM/s1600/Chez+le+barbier+4.JPG" imageanchor="1"><img border="0" height="323" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPCB8tGeNxG_hZ2_jp0g-yM31oeR1GMCt3PqUpRgmgXQ3Pdy01R1wepco8UT6OBMFfJqS35Vf1SQd-uAJ1bgp9EbKjeeaG_Szvpt-neimH48oTehyphenhyphenqUp_jN5miBaKdBayrboNkFxMlxJM/s400/Chez+le+barbier+4.JPG" width="400" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div style="text-align: center;">
<span style="font-size: small;">Jacques Barcat</span></div>
<div style="text-align: center;">
<span style="font-size: small;">Chez le barbier (non daté)</span></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Huile sur carton</span></div>
<div style="text-align: center;">
<span style="font-size: x-small;">sans cadre 55,1 cm x 45,7 cm</span></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Photo Jacques Barcat</span></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="color: #073763;"><span style="font-size: large;">Cette autre huile sur carton est de la même époque que la précédente, sans date non plus. La signature se trouve en haut à droite. L'oeuvre correspond à la jeunesse de l'artiste encore étudiant aux Beaux-Arts et avec peu d'argent pour acheter des toiles. C'est, une fois de plus, une scène qui offre plusieurs personnages. Presque tous sont fumeurs de pipe, de cigare ou de cigarette. L'un d'eux s'amuse même à lancer des ronds de fumée successifs, manifestant ainsi son ennui avec un air hébété. Tous les clients sont silencieux et ignorent les autres dans l'attente. Ce tableau est très représentatif de la Belle Époque où le tabac était très à la mode sans que personne ne s’en plaigne.</span></span><br />
<br />
<br />
<span style="color: #073763;"><span style="font-size: large;"><span style="color: #741b47;">Este otro óleo sobre cartón es de la misma época que el anterior, sin fecha tampoco. La firma se encuentra arriba a la derecha. La obra corresponde a la juventud del artista todavía estudiante de Bellas Artes y con poco dinero disponible para comprar lienzos. Es, una vez más, una escena que ofrece varios personajes. Casi todos son fumadores de pipa, puro o cigarrillo. Uno de ellos se entretiene incluso lanzando aros de humo sucesivos, manifestando así su aburrimiento con una expresión estúpida</span>.<span style="color: #741b47;"> Todos los clientes quedan en silencio e ignoran a los demás durante la espera. Este cuadro es muy representativo de la Belle Époque, cuando el tabaco era muy de moda sin que nadie se queje de ello.</span></span></span><br />
<br />
<br />
<span style="color: #073763;"><span style="font-size: large;"><span style="color: #741b47;"><span style="color: black;">This oil on cardboard is from the same period than the previous one, undated. The signature is on the top right corner. This painting corresponds to the youth of the artist, when he was still a student in the École des Beaux-Arts and had little money to buy canvases. It is, once again, a scene offering several characters. Almost all are smoking a pipe, a cigar or a cigarette. One of them is throwing successive rings of smoke, thus showing his boredom with a stupid expression in his face. All the clients are in silence and ignore the rest while waiting. This painting is very representative of La Belle Époque, when tobacco was fashionable and no one complained about it.</span></span></span></span><br />
<span style="color: #073763;"><span style="font-size: large;"><span style="color: #741b47;"><span style="color: black;"><i>(Translation Cassandra Villalba)</i> </span></span></span></span><br />
<br />
<span style="color: #073763;"><span style="color: #3d85c6;"><span style="color: #073763;"><span style="font-size: large;"><span style="color: #741b47;"><span style="color: black;"><span style="color: #0b5394;">Anne Barcat (Nano) </span></span></span></span></span></span></span><br />
<span style="color: #073763;"><span style="font-size: large;"> </span></span></div>
irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-40970991773236074782017-09-13T07:55:00.001-07:002019-03-30T08:04:27.053-07:00La fête foraine. Día de feria. Fair day.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3qq4LS8VUsP9kEzT9YsX5OkgCjSRAhKfAZFPRf2X_tjsd3ldkvlA2HK6HfoFMZLvEZAeFTB9SHtT0OYoEgg1Q3-G4dsdybZHDn7PFSxfLxVKR0M2aBtp1vG8kxvmnqL46Npj9qZi5OMQ/s1600/Fe%25CC%2582te+foraine+copia.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1243" data-original-width="1600" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3qq4LS8VUsP9kEzT9YsX5OkgCjSRAhKfAZFPRf2X_tjsd3ldkvlA2HK6HfoFMZLvEZAeFTB9SHtT0OYoEgg1Q3-G4dsdybZHDn7PFSxfLxVKR0M2aBtp1vG8kxvmnqL46Npj9qZi5OMQ/s400/Fe%25CC%2582te+foraine+copia.JPG" width="400" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div style="text-align: center;">
</div>
<div style="text-align: center;">
Jacques Barcat<br />
<span style="font-size: small;">La fête foraine (non daté)</span><br />
<span style="font-size: small;">Huile sur carton</span><br />
<span style="font-size: small;"><span style="font-size: x-small;">sans cadre 55,1 cm x 43,7</span> cm</span><br />
<span style="font-size: x-small;">Photo Jacques Barcat </span> </div>
<div style="text-align: center;">
<br />
<br />
<div style="text-align: justify;">
<span style="color: #073763;"><span style="font-size: large;"><span style="font-family: inherit;">Cette huile sur carton, retrouvée par mon frère Jacques parmi ses affaires précieusement conservées, lui avait été donnée, avec d'autres encore, par sa tante Jeannette, fille aînée du peintre. Il vient de m'en envoyer la photographie.</span></span></span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="color: #073763;"><span style="font-size: large;"><span style="font-family: inherit;">Cette scène a réveillé brusquement mes souvenirs d'enfance. Je n'avais pas oublié l'addition du cancre au tableau 3 + 3 = 8, ni le bonnet d'âne ni le martinet en attente sur le parquet. </span></span></span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="color: #073763;"><span style="font-size: large;"><span style="font-family: inherit;">Cette huile est signée, non datée, mais elle correspond à la jeunesse du peintre, sans doute du temps de l'École des Beaux-Arts à Paris, car on détecte encore l'influence de Jean-Léon Gérôme qui, souvent, peignait la foule. Ceci est très rare dans les tableaux de notre grand-père. Dans ses oeuvres, il peignait souvent une ou deux personnes, un chien ou un chat, des poules, des canards, des vaches; mais je ne connais que celle-ci où l'on peut parfaitement distinguer les visages d'un important rassemblement de personnes de tous les âges.</span></span></span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="color: #073763;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="background-color: #741b47;"></span><span style="color: #741b47;">Este óleo sobre cartón, encontrado por mi hermano Jacques entre sus cosas cuidadosamente conservadas, le había sido regalado, con algunos más, por su tía Jeannette, hija mayor del pintor. Mi hermano acaba de enviarme la fotografía.<br /> </span></span></span></span></div>
<div style="text-align: justify;">
<span style="color: #073763;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #741b47;">Esta escena ha despertado de repente mis recuerdos de infancia. No había olvidado la cuenta del mal alumno en la pizarra 3 + 3 = 8, ni las orejas de burro ni el látigo esperando en el suelo.<br /> </span></span></span></span></div>
<div style="text-align: justify;">
<span style="color: #073763;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #741b47;">Este óleo tiene firma sin fecha, pero corresponde a la juventud del pintor; es sin duda de la época de sus estudios en la Escuela de Bellas Artes de Paris, pues se detecta todavía la influencia de Jean-Léon Gérôme quien, a menudo, retrataba la muchedumbre. Esto es muy poco frecuente en los cuadros de nuestro abuelo. En sus obras, él solía pintar una o dos personas, un perro o un gato, gallinas, patos, vacas; pero yo no conozco más que ésta en la cual se pueda distinguir perfectamente los rostros de una importante aglomeración de personas de todas las edades. </span></span></span></span><br />
<br />
<span style="color: #073763;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #741b47;"> </span></span></span></span><br />
<span style="font-size: large;"><span style="font-family: inherit;">This oil on cardboard, found by my brother Jacques among his things carefully preserved, was given to him, among some others, by his aunt Jeannette, the painter’s eldest daughter. My brother has just sent me the picture.<br /> </span></span><br />
<span style="font-size: large;"><span style="font-family: inherit;"> This scene has awoken all the memories of my childhood. I had not forgotten the sum of bad pupil in the blackboard 3 + 3 = 8, nor the donkey’s ears or the discipline whip waiting on the floor.<br /><br />This oil has his signature, but it is undated, and corresponds to the youth of the painter; it is from the time of his studies in the École des Beaux-Arts in Paris, as you can still see the influence of Jean-Léon Gérôme who, very often, painted the crowd. This is not so frequent in the paintings of our grandfather. In his works, he used to paint one or two people, a dog or a cat, hens, ducks, cows; but I only know this one, in which the faces of an important crowd of all ages can be distinguished.</span></span><br />
<span style="font-size: large;"><span style="font-family: inherit;"><i>(Translation Cassandra Villalba)</i> </span></span></div>
<div style="text-align: justify;">
</div>
<div style="text-align: justify;">
</div>
<div style="text-align: justify;">
<br />
<br />
<span style="color: #3d85c6;"><span style="color: #073763;"><span style="color: #073763;"><span style="color: #073763;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #741b47;"><span style="color: #0b5394;">Anne Barcat (Nano) </span></span></span></span></span></span></span></span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
</div>
</div>
irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com0tag:blogger.com,1999:blog-6734919568493576398.post-49276279102726726472017-07-23T13:41:00.002-07:002019-04-13T12:25:40.431-07:00Une dame en deuil. Una dama de luto. A lady in mourning.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE2reraNKUq2kJiiSrqAUdl9P-I0ievs2jR9rj937PJxWTrwyL_4Q6F5pvDgX9bjoGWOS9-vzsCMwrYKB4LpdhUCjbTzSIqivvDi7c6bSMVCgxa06sCPpKgAVqlJaHRNSZUdcYniqv1T0/s1600/Painting+by+Jacques+Barcat+1904.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="844" data-original-width="660" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE2reraNKUq2kJiiSrqAUdl9P-I0ievs2jR9rj937PJxWTrwyL_4Q6F5pvDgX9bjoGWOS9-vzsCMwrYKB4LpdhUCjbTzSIqivvDi7c6bSMVCgxa06sCPpKgAVqlJaHRNSZUdcYniqv1T0/s400/Painting+by+Jacques+Barcat+1904.jpg" width="312" /></a></div>
<div style="text-align: center;">
<style>
<!--
/* Font Definitions */
@font-face
{font-family:Times;
panose-1:2 0 5 0 0 0 0 0 0 0;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:3 0 0 0 1 0;}
@font-face
{font-family:"MS 明朝";
panose-1:0 0 0 0 0 0 0 0 0 0;
mso-font-charset:128;
mso-generic-font-family:roman;
mso-font-format:other;
mso-font-pitch:fixed;
mso-font-signature:1 134676480 16 0 131072 0;}
@font-face
{font-family:"MS 明朝";
panose-1:0 0 0 0 0 0 0 0 0 0;
mso-font-charset:128;
mso-generic-font-family:roman;
mso-font-format:other;
mso-font-pitch:fixed;
mso-font-signature:1 134676480 16 0 131072 0;}
@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:3 0 0 0 1 0;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0cm;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;
mso-fareast-language:JA;}
.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-size:10.0pt;
mso-ansi-font-size:10.0pt;
mso-bidi-font-size:10.0pt;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;
mso-fareast-language:JA;}
@page WordSection1
{size:612.0pt 792.0pt;
margin:70.85pt 3.0cm 70.85pt 3.0cm;
mso-header-margin:36.0pt;
mso-footer-margin:36.0pt;
mso-paper-source:0;}
div.WordSection1
{page:WordSection1;}
</style>
</div>
-->
<div align="center" class="MsoNormal" style="margin-bottom: 12.0pt; mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;">
<span lang="ES" style="font-family: "times"; mso-ansi-language: ES; mso-bidi-font-family: Times;">Jacques Barcat</span><br />
<span lang="ES" style="font-family: "times"; mso-ansi-language: ES; mso-bidi-font-family: Times;">Portrait d'une dame en deuil 1904</span><br />
<span lang="ES" style="font-family: "times"; mso-ansi-language: ES; mso-bidi-font-family: Times;">Huile sur toile</span><span lang="ES" style="font-family: "times"; font-size: 10.0pt;"> </span><br />
<span lang="ES" style="font-family: "times"; font-size: 10.0pt;">sans cadre 73 cm x 53,4 cm</span><br />
<span lang="ES" style="font-family: "times"; font-size: 10.0pt;">avec cadre 91,5 cm x 71 cm </span><br />
<span lang="ES" style="font-family: "times"; font-size: 10.0pt;">Photo Cheryl Manier</span></div>
<br />
<br />
<div style="text-align: justify;">
<span style="font-size: large;"><span style="color: #0b5394;"><span style="color: #073763;">La photographie de ce joli portrait de femme vient de m'être envoyée d'une ville de Tennessee, U.S.A., par une aimable personne qui m'a permis de la joindre à ce blog. Elle a acquis cette œuvre chez une antiquaire de Californie. Comme elle-même venait de perdre son mari, ce portrait, qui semblait représenter une veuve, a tout de suite attiré son attention. <br /> </span></span></span><br />
<span style="font-size: large;"><span style="color: #0b5394;"><span style="color: #073763;">Bien que le chapeau ne soit pas tout noir et qu'il ait une touche de vitalité et de hardiesse juvénile, la dame semble être en deuil d'un mari, d'un enfant ou d'un proche parent et, malgré un léger sourire, le regard est triste. <br /> </span></span></span><br />
<span style="font-size: large;"><span style="color: #0b5394;"><span style="color: #073763;">Je trouve intéressant de percevoir la souplesse des gants de cuir, le reflet lumineux des deux perles du pendentif, l'expression pensive des yeux noirs et le défi presque allègre du chapeau de style Belle époque. Je vois une très jeune femme, élégante et soignée, qui n'était sans doute pas préparée à affronter si tôt une dure épreuve de la vie et qui se sent un peu perdue. Son chapeau suggère qu'elle se remettra vite. Le portrait m'inspire tout cela.<br /> </span></span></span><br />
<span style="font-size: large;"><span style="color: #0b5394;"><span style="color: #073763;">Cette œuvre a été exécutée en 1904, un an avant le mariage de mes grands-parents; je ne peux donc malheureusement pas découvrir l'identité de la personne qui a posé devant le peintre.</span><br /> </span><br /><span style="color: #741b47;"> </span></span></div>
<div style="text-align: justify;">
<span style="font-size: large;"><span style="color: #741b47;">La fotografía de este bonito retrato de mujer me fue enviada recientemente desde una ciudad de Tennessee, U.S.A., por una amable persona que me permitió colocarla en este blog. Compró la obra a una anticuaria de California. Como ella misma había perdido a su marido poco tiempo antes, este retrato, que parecía representar una viuda, llamó inmediatamente su atención. <br /> </span></span><br />
<span style="font-size: large;"><span style="color: #741b47;">Aunque el sombrero no sea del todo negro y tenga un toque de vitalidad y arrojo juvenil, la dama parece vestir de luto por la perdida de un marido, de un hijo o de un pariente cercano y, a pesar de una ligera sonrisa, la mirada es triste.<br /> </span></span><br />
<span style="font-size: large;"><span style="color: #741b47;">Encuentro interesante percibir la maleabilidad de los guantes de piel, el reflejo luminoso de las dos perlas del colgante, la expresión pensativa de los ojos negros y el desafío casi alegre del sombrero de estilo Belle Époque. Veo una mujer muy joven, elegante y cuidada que, sin duda, no estaba preparada para enfrentarse a una dura prueba de la vida y que se siente un poco perdida. Su tocado sugiere que se repondrá pronto. El retrato me inspira todo esto.<br /> </span></span><br />
<span style="font-size: large;"><span style="color: #741b47;">La obra ha sido ejecutada en 1904, un año antes de la boda de mis abuelos, por lo cual no puedo, desgraciadamente, descubrir la identidad de la persona que posó delante del pintor.</span><br /> </span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="font-size: large;">Recently, a person was kind enough to send me the photograph of this woman's portrait from a city in Tennessee, U.S.A., and she allowed me to put it on this blog. She bought the work from an antiques shop in California. As she had recently lost her husband herself, this portrait, which seemed to represent a widow, immediately caught her attention.<br /><br />Thought the hat is not completely black and has a touch of liveliness and youthful audacity, the lady seems to be wearing mourning clothes, indicating the loss of a husband, a son, or a close relative, and although she is smiling slightly, there is sadness in her eyes. <br /><br />I find it interesting to note the suppleness of the leather gloves, the glow of the two pearls on the pendant, the thoughtful expression of her black eyes and the almost joyful boldness of the Belle Époque hat. I see a very young woman, smart and well-dressed, who probably wasn’t prepared to suffer such a loss so early in her life, and who feels a little lost. Her hat suggests she will promptly recover. This is what this portrait inspires me.<br /><br />The work was painted in 1904, one year before my grandparents got married, and thus, I unfortunately cannot identify the person who posed for the painter.</span><br />
<span style="font-size: large;">(<i>translation: Charlotte Barcat</i>) </span></div>
<span style="font-size: large;"></span><br />
<span style="font-size: large;"></span><br />
<span style="font-size: large;"><br /></span>
<span style="color: #073763;"><span style="font-size: large;">Anne Barcat (Nano)</span></span>irishttp://www.blogger.com/profile/04032923466428860736noreply@blogger.com1